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This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. (February 2007)
For the 1st century Chinese historian, see Ban Gu.
For the town in Nepal, see Pangu, Nepal.
Portrait of Pangu from Sancai TuhuiPangu (Traditional: 盤古; Simplified: 盘古; pinyin: Pángǔ; Wade-Giles: P'an ku) was the first living being and the creator of all in Chinese mythology.
Contents [hide]
1 The Pangu legend
2 Source documents
3 Origin of this myth
4 Other Chinese creation myths
5 Other Pangu myth
6 Pangu worship
7 See also
[edit] The Pangu legend
In the beginning there was nothing in the universe except a formless chaos. However this chaos coalesced into a cosmic egg for about 18,000 years. Within it, the perfectly opposed principles of Yin and Yang became balanced and Pangu emerged (or woke up) from the egg. Pangu is usually depicted as a primitive, hairy giant with horns on his head and clad in furs. Pangu set about the task of creating the world: he separated Yin from Yang with a swing of his giant axe, creating the Earth (murky Yin) and the Sky (clear Yang). To keep them separated, Pangu stood between them and pushed up the Sky. This task took 18,000 years; with each day the sky grew ten feet higher, the Earth ten feet wider, and Pangu ten feet taller. In some versions of the story, Pangu is aided in this task by the four most prominent beasts, namely the Turtle, the Qilin, the Phoenix, and the Dragon. After the 18,000 years had elapsed, Pangu was laid to rest. His breath became the wind; his voice the thunder; left eye the sun and right eye the moon; his body became the mountains and extremes of the world; his blood formed rivers; his muscles the fertile lands; his facial hair the stars and milky way; his fur the bushes and forests; his bones the valuable minerals; his bone marrows sacred diamonds; his sweat fell as rain; and the fleas on his fur carried by the wind became the fish and animals throughout the land. Nüwa the Goddess then used the mud of the water bed to form the shape of humans. These humans were very smart since they were individually crafted. Nüwa then became bored of individually making every human so she started putting a rope in the water bed and lettings the drops of mud that fell from it become new humans. These small drops became new humans, not as smart as the first. The first writer to record the myth of Pangu was Xu Zheng (徐整) during the Three Kingdoms (三國) period.
[edit] Source documents
Xu Zheng (徐整; pinyin: Xú Zhěng; 220-265 AD), in the book "Three Five Historic Records" (三五歷紀; pinyin: Sānwǔ Lìjì, Sanwu Liji), is the first to mention Pangu in the story "Pangu Separates the Sky from the Earth".
Ge Hong (葛洪; pinyin: Gě Hóng; 284-364 AD), in the book "Master of Preserving Simplicity Inner Writings" (抱朴子内篇; pinyin: Baopuzi Neipian), describes Pangu (ETC Werner, Myths & Legends of China, 1922).
Ouyang Xun (欧阳询; pinyin: Ōuyáng Xún; 557-641 AD), in the book "Classified Anthology of Literary Works" (藝文類聚; pinyin: Yiwen Leiju), also refers to Pangu.
Carus, Paul (1852-1919) in the book "Chinese Astrology, Early Chinese Occultism" (1974) based on an earlier book by the same author "Chinese Thought", published in 1907.
[edit] Origin of this myth
This article needs additional citations for verification. Please help improve this article by adding reliable references (ideally, using inline citations). Unsourced material may be challenged and removed. (May 2008)
Three main views emerge to describe the origin of the Pangu myth.
The first is that the story is indigenous, and developed or was transmitted through time to Xu Zheng. The evidence for this is slender indeed. It can only be assumed from the following discussion:
Senior Scholar Wei Juxian states that the Pangu story is derived from Western Zhou Dynasty (西周朝) stories 1000 years earlier. He cites the story of Zhong (重) and Li (黎) in the "Chuyu" section of the ancient classics Guoyu (國語). In it, the King Zhao of Chu asked Guanshefu (观射父) a question: "What did ancient classic "Zhou Shu" mean by the sentence that Zhong and Li caused the heaven and earth to disconnect from each other?" The "Zhou Shu" sentence he refers to is about an earlier person, Luu Xing, who is having a conversation with the King Mu of Zhou (周穆王). King Mu's reign is much earlier and dates to about 1001 to 946 BC. In their conversation, they discuss the "disconnection" between heaven and earth.
An indirect but possibly more substantive conclusion is that China is unique in not "creating" its creator. In this view, Xu Zheng (徐整) (or a relatively recent predecessor) perpetuates the Pangu myth from other cultural influences:
Professor Qin Naichang, head of the Guangxi Institute for Nationality Studies proposes the myth originated in Laibin city, Guangxi, in the center of the Pearl River Valley. He believes that there are older stories of Pangu from this region and that they originally involved two people. He suggests China has no myth about the creation of the universe and that the Chinese mythology of Pangu had come from India, Egypt, or Babylon. Apparently, this story mingled in with the origin stories of other cultures, eventually changing into the later narrative more popular today.
This is professor Qin's reconstruction of the true creation myth preceding the myth of Pangu. Note that it is not actually a creation myth:
"A brother and his sister became the only survivors of the prehistoric Deluge by crouching in a gourd that floated on water. The two got married afterwards, and a mass of flesh in the shape of a whetstone was born. They chopped it and the pieces turned into large crowds of people, who began to reproduce again. The couple were named 'Pan' and 'Gou' in the Zhuang ethnic language, which stand for whetstone and gourd respectively."
From Paul Carus, Chinese Astrology, Early Chinese Occultism, 1974, from an earlier book by the same author, Chinese Thought, 1907, Chapter on “Chinese Occultism.” Note: in 1907 the Wade-Giles system of transliteration was used.
“P’an-Ku: The basic idea of the yih philosophy was so convincing that it almost obliterated the Taoist cosmology of P’an-Ku who is said to have chiseled the world out of the rocks of eternity. Though the legend is not held in high honor by the literati, it contains some features of interest which have not as yet been pointed out and deserve at least an incidental comment.
“P’an-Ku is written in two ways: one means in literal translations, “basin ancient”, the other “basin solid”. Both are homophones, i.e., they are pronounced the same way; and the former may be preferred as the original and correct spelling. Obviously the name means “aboriginal abyss,” or in the terser German, Urgrund, and we have reason to believe it to be a translation of the Babylonian Tiamat, “the Deep.”
“The Chinese legend tells us that P’an-Ku’s bones changed to rocks; his flesh to earth; his marrow, teeth and nails to metals; his hair to herbs and trees; his veins to rivers; his breath to wind; and his four limbs became pillars marking the four corners of the world, -- which is a Chinese version not only of the Norse myth of the Giant Ymir, but also of the Babylonian story of Tiamat.
“Illustrations of P’an-Ku represent him in the company of supernatural animals that symbolize old age or immortality, viz., the tortoise and the crane; sometimes also the dragon, the emblem of power, and the phenix, the emblem of bliss.
“When the earth had thus been shaped from the body of P’an-Ku, we are told that three great rivers successively governed the world: first the celestial, then the terrestrial, and finally the human sovereign. They were followed by Yung-Ch’eng and Sui-Jen (i.e., fire-man) the later being the Chinese Prometheus, who brought the fire down from heaven and taught man its various uses.
“The Prometheus myth is not indigenous to Greece, where it received the artistically classical form under which it is best known to us. The name, which by an ingenious afterthought is explained as “the fore thinker,” is originally the sanskrit pramantha and means “twirler” or “fire-stick,” being the rod of hard wood which produced fire by rapid rotation in a piece of soft wood.
“We cannot deny that the myth must have been known also in Mesopotamia, the main center of civilization between India and Greece, and it becomes probable that the figure Sui-Jen has been derived from the same prototype as the Greek Prometheus.”
[edit] Other Chinese creation myths
This myth appears to have been preceded in ancient Chinese literature by the existence of Shangdi or Taiyi. Other Chinese myths, such as those of Nuwa, or the Jade Emperor, try to explain how people were created; and do not necessarily represent "world creation" myths. It is important to note there are many variations of these myths.
[edit] Other Pangu myth
Pangu is also honored as the creator of the world in Buyei legend, but in addition, he is also honored as the ancestor of Buyei people. According to the Buyei legend, Pangu became an expert in rice farming after creating the world, and subsequently married the daughter of Dragon King, and that was the beginning of Buyei people. The daughter of Dragon King and Pangu had a son named Xinheng (新横) but later, the son disrespected his mother, and the angry mother returned to heaven and never came down, despite the repeated pleas of her husband and son. Pangu was forced to remarry and eventually died on the sixth day of the sixth month of the lunar calendar and Xinheng's nightmare had begun. The stepmother treated Xinheng badly and almost killed him, and the angry Xinheng threatened to destroy the rice harvest of his stepmother. Realizing her mistake, the stepmother made peace with Xinheng and since then, on every sixth day of the sixth month of the lunar calendar, they paid their respect to Pangu. The day became an important traditional Buyei holiday for ancestral worship. This legend of creation is one of the main characteristics that distinguishes Buyei from Zhuang.
[edit] Pangu worship
Pangu is worshipped at a number of shrines in contemporary China. However, most if not all of these are modern creations built since the 1970s. In these shrines, Pangu is usually depicted in stereotypical "caveman" regalia, with leopard-skin tunics and long hair. Taoist symbols, such as the Bagua, are associated with Pangu in these shrines.
The Pangu King Temple built in 1809 is located in Guangzhou Province, NW Huadu District (west of G106 / north of S118), north of Shiling Town at the foot of the Pangu King Mountain (
http://www.luopan.com/t/en_US/510000L000158.html). The Huadu District is located north of Guangzhou to the west of the Baiyun International Airport.
[edit] See also
Chinese creation myth
Tiamat
Ymir
Manu
First man or woman
Retrieved from "http://en.wikipedia.org/wiki/Pangu"
Categories: Chinese gods | Creator gods | Creation myths | Chinese mythology
Hidden categories: Articles lacking sources from February 2007 | All articles lacking sources | Articles needing additional references from May 2008
Pan Gu Makes the World
In the beginning , the heavens and earth were still one and all was chaos. The universe was like a big black egg, carrying Pan Gu inside itself. After 18 thousand years Pan Gu woke from a long sleep. He felt suffocated, so he took up a broadaxe and wielded it with all his might to crack open the egg. The light, clear part of it floated up and formed the heavens, the cold, turbid matter stayed below to form earth. Pan Gu stood in the middle, his head touching the sky, his feet planted on the earth. The heavens and the earth began to grow at a rate of ten feet per day, and Pan Gu grew along with them. After another 18 thousand years, the sky was higher, the earth thicker, and Pan Gu stood between them like a pillar 9 million li in height so that they would never join again.
When Pan Gu died, his breath became the wind and clouds, his voice the rolling thunder. One eye became the sun and one the moon. His body and limbs turned to five big mountains and his blood formed the roaring water. His veins became far-stretching roads and his muscles fertile land. The innumerable stars in the sky came from his hair and beard, and flowers and trees from his skin and the fine hairs on his body. His marrow turned to jade and pearls. His sweat flowed like the good rain and sweet dew that nurtured all things on earth. According to some versions of the Pan Gu legend, his tears flowed to make rivers and radiance of his eyes turned into thunder and lighting. When he was happy the sun shone, but when he was angry black clouds gathered in the sky. One version of the legend has it that the fleas and lice on his body became the ancestors of mankind.
The Pan Gu story has become firmly fixed in Chinese tradition. There is even an saying relating to it: 'Since Pan Gu created earth and the heavens', meaning 'for a very long time'. Nevertheless, it is rather a latecomer to the catalogue of Chinese legends. The first mention of it is in a book on Chinese myths written by Xu Zheng in the Three Kingdoms period (AD 220-265). Some opinions hold that it originated in south China or southeast Asia.
There are several versions of the Pan Gu story.
Among the Miao, Yao, Li and other nationalities of south China, a legend concerns Pan Gu the ancestor of all mankind, with a man's body and a dog's head. It runs like this:
Up in Heaven the god in charge of the earth, King Gao Xin, owned a beautiful spotted dog. He reared him on a plate (pan in Chinese) inside a gourd (hu, which is close to the sound gu), so the dog was known as Pan Gu. Among the gods there was great enmity between King Gao Xin and his rival King Fang. "Whoever can bring me the head of King Fang may marry my daughter" he proclaimed, but nobody was willing to try because they were afraid of King Fang's strong soldiers and sturdy horses.
The dog Pan Gu overheard what was said, and when Gao Xin was sleeping, slipped out of the palace and ran to King Fang. The latter was glad to see him standing there wagging his tail. " You see, King Gao Xin is near his end. Even his dog has left him" Fang said, and held a banquet for the occasion with the dog at his side.
At midnight when all was quiet and Fang was overcome with drink, Pan Gu jumped onto the king's bed, bit off his head and ran back to his master with it . King Gao Xin was overjoyed to see the head of his rival, and gave orders to bring Pan Gu some fresh meat. But Pan Gu left the meat untouched and curled himself up in a corner to sleep. For three days he ate nothing and did not stir.
The king was puzzled and asked, " Why don't you eat? Is it because I failed to keep my promise of marrying a dog?" To his surprise Pan Gu began to speak. "Don't worry, my King. Just cover me with your golden bell and in seven days and seven nights I'll become a man." The King did as he said, but on the sixth day, fearing he would starve to death, out of solicitude the princess peeped under the bell. Pan Gu's body had already changed into that of a man, but his head was still that of a dog. However, once the bell was raised, the magic change stopped, and he had to remain a man with a dog's head.
He married the princess, but she didn't want to be seen with such a man so they moved to the earth and settled in the remote mountains of south China. There they lived happily and had four children, three boys and a girl, who became the ancestors of mankind.
In south China Pan Gu is known as King Pan, and temples and pavilions were once built in his honour.
Pan Gu Creates the World
Chinese legend says Pan Gu created the world by separating the heaven and the earth from chaos. In the beginning, the universe was like an egg and there was only chaos in the egg. Pan Gu had slept in the egg for over 18,000 years. Then one day, he woke up and cracked the egg into pieces. By separating the heavy and light parts of the egg, he created the heaven and the earth. Pan Gu stood on the earth and held up the heaven using his hands, and then he had grown with the heaven until the form of the world for another 18,000 years. For more information about Pan Gu, check out the following links.
About Pan Gu
Beginning of the World
Pan Gu Makes the World
Pan Gu Creates Heaven and Earth
The Story of Pan Gu
Pangu Separates the Sky from the Earth
Chinese Myths
Historic Legends & Tales
Myths and Legends
Britannica Concise Encyclopedia: Pan Gu
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Home > Library > Miscellaneous > Britannica Concise Encyclopedia
In Chinese Daoist legend, the first man. He came forth from Chaos (an egg) with two horns, two tusks, and a hairy body. He used his knowledge of yin-yang to separate heaven and earth, set the Sun, Moon, stars, and planets in place, and divide the four seas. He also shaped the earth by chiseling out valleys and stacking up mountains. Another legend says that the universe derived from Pan Gu's gigantic corpse. His eyes became the Sun and Moon, his blood formed rivers, his hair grew into trees and plants, and the human race sprang from parasites that infested his body. In art, he is often shown as a dwarf clothed with leaves.
For more information on Pan Gu, visit Britannica.com.
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Top Home > Library > Religion & Spirituality > Asian Mythology
Pangu the giant was the first living creature in the Chinese creation myth (see Chinese Cosmogony).
Wikipedia: Pangu
Top Home > Library > Miscellaneous > Wikipedia This article does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. (February 2007)
For the 1st century Chinese historian, see Ban Gu.
For the town in Nepal, see Pangu, Nepal.
Portrait of Pangu from Sancai TuhuiPangu (Traditional: 盤古; Simplified: 盘古; pinyin: Pángǔ; Wade-Giles: P'an ku) was the first living being and the creator of all in Chinese mythology.
Contents [hide]
1 The Pangu legend
2 Source documents
3 Origin of this myth
4 Other Chinese creation myths
5 Other Pangu myth
6 Pangu worship
7 See also
The Pangu legend
In the beginning there was nothing in the universe except a formless chaos. However this chaos coalesced into a cosmic egg for 18,000 years. Within it, the perfectly opposed principles of Yin and Yang became balanced and Pangu emerged (or woke up) from the egg. Pangu is usually depicted as a primitive, hairy giant with horns on his head (like the Greek Pan) and clad in furs. Pangu set about the task of creating the world: he separated Yin from Yang with a swing of his giant axe, creating the Earth (murky Yin) and the Sky (clear Yang). To keep them separated, Pangu stood between them and pushed up the Sky. This task took 18,000 years; with each day the sky grew ten feet higher, the Earth ten feet wider, and Pangu ten feet taller. In some versions of the story, Pangu is aided in this task by the four most prominent beasts, namely the Turtle, the Qilin, the Phoenix, and the Dragon. After the 18,000 years had elapsed, Pangu was laid to rest. His breath became the wind; his voice the thunder; right eye the sun and left eye the moon; his body became the mountains and extremes of the world; his blood formed rivers; his muscles the fertile lands; his facial hair the stars and milky way; his fur the bushes and forests; his bones the valuable minerals; his bone marrows sacred diamonds; his sweat fell as rain; and the fleas on his fur carried by the wind became the fish and animals throughout the land. Nugua the Goddess then used the mud of the water bed to form the shape of humans. These humans were very smart since they were individually crafted. Nugua then became bored of individually making every human so she started putting a rope in the water bed and lettings the drops of mud that fell from it become new humans. These small drops became new humans, not as smart as the first. The first writer to record the myth of Pangu was Xu Zheng (徐整) during the Three Kingdoms (三國) period.
Source documents
Xu Zheng (徐整; pinyin: Xú Zhěng; 220-265 AD), in the book "Three Five Historic Records" (三五歷紀; pinyin: Sānwǔ Lìjì, Sanwu Liji), is the first to mention Pangu in the story "Pangu Separates the Sky from the Earth".
Ge Hong (葛洪; pinyin: Gě Hóng; 284-364 AD), in the book "Master of Preserving Simplicity Inner Writings" (抱朴子内篇; pinyin: Baopuzi Neipian), describes Pangu (ETC Werner, Myths & Legends of China, 1922).
Ouyang Xun (欧阳询; pinyin: Ōuyáng Xún; 557-641 AD), in the book "Classified Anthology of Literary Works" (藝文類聚; pinyin: Yiwen Leiju), also refers to Pangu.
Carus, Paul (1852-1919) in the book "Chinese Astrology, Early Chinese Occultism" (1974) based on an earlier book by the same author "Chinese Thought", published in 1907.
Origin of this myth This article needs additional citations for verification.
Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (May 2008)
Three main views emerge to describe the origin of the Pangu myth.
The first is that the story is indigenous, and developed or was transmitted through time to Xu Zheng. The evidence for this is slender indeed. It can only be assumed from the following discussion:
Senior Scholar Wei Juxian states that the Pangu story is derived from Western Zhou Dynasty (西周朝) stories 1000 years earlier. He cites the story of Zhong (重) and Li (黎) in the "Chuyu" section of the ancient classics Guoyu (國語). In it, the King Zhao of Chu asked Guanshefu (观射父) a question: "What did ancient classic "Zhou Shu" mean by the sentence that Zhong and Li caused the heaven and earth to disconnect from each other?" The "Zhou Shu" sentence he refers to is about an earlier person, Luu Xing, who is having a conversation with the King Mu of Zhou (周穆王). King Mu's reign is much earlier and dates to about 1001 to 946 BC. In their conversation, they discuss the "disconnection" between heaven and earth.
An indirect but possibly more substantive conclusion is that China is unique in not "creating" its creator. In this view, Xu Zheng (徐整) (or a relatively recent predecessor) perpetuates the Pangu myth from other cultural influences:
Professor Qin Naichang, head of the Guangxi Institute for Nationality Studies proposes the myth originated in Laibin city, Guangxi, in the center of the Pearl River Valley. He believes that there are older stories of Pangu from this region and that they originally involved two people. He suggests China has no myth about the creation of the universe and that the Chinese mythology of Pangu had come from India, Egypt, or Babylon. Apparently, this story mingled in with the origin stories of other cultures, eventually changing into the later narrative more popular today.
This is professor Qin's reconstruction of the true creation myth preceding the myth of Pangu. Note that it is not actually a creation myth:
"A brother and his sister became the only survivors of the prehistoric Deluge by crouching in a gourd that floated on water. The two got married afterwards, and a mass of flesh in the shape of a whetstone was born. They chopped it and the pieces turned into large crowds of people, who began to reproduce again. The couple were named 'Pan' and 'Gou' in the Zhuang ethnic language, which stand for whetstone and gourd respectively."
From Paul Carus, Chinese Astrology, Early Chinese Occultism, 1974, from an earlier book by the same author, Chinese Thought, 1907, Chapter on “Chinese Occultism.” Note: in 1907 the Wade-Giles system of transliteration was used.
“P’an-Ku: The basic idea of the yih philosophy was so convincing that it almost obliterated the Taoist cosmology of P’an-Ku who is said to have chiseled the world out of the rocks of eternity. Though the legend is not held in high honor by the literati, it contains some features of interest which have not as yet been pointed out and deserve at least an incidental comment.
“P’an-Ku is written in two ways: one means in literal translations, “basin ancient”, the other “basin solid”. Both are homophones, i.e., they are pronounced the same way; and the former may be preferred as the original and correct spelling. Obviously the name means “aboriginal abyss,” or in the terser German, Urgrund, and we have reason to believe it to be a translation of the Babylonian Tiamat, “the Deep.”
“The Chinese legend tells us that P’an-Ku’s bones changed to rocks; his flesh to earth; his marrow, teeth and nails to metals; his hair to herbs and trees; his veins to rivers; his breath to wind; and his four limbs became pillars marking the four corners of the world, -- which is a Chinese version not only of the Norse myth of the Giant Ymir, but also of the Babylonian story of Tiamat.
“Illustrations of P’an-Ku represent him in the company of supernatural animals that symbolize old age or immortality, viz., the tortoise and the crane; sometimes also the dragon, the emblem of power, and the phenix, the emblem of bliss.
“When the earth had thus been shaped from the body of P’an-Ku, we are told that three great rivers successively governed the world: first the celestial, then the terrestrial, and finally the human sovereign. They were followed by Yung-Ch’eng and Sui-Jen (i.e., fire-man) the later being the Chinese Prometheus, who brought the fire down from heaven and taught man its various uses.
“The Prometheus myth is not indigenous to Greece, where it received the artistically classical form under which it is best known to us. The name, which by an ingenious afterthought is explained as “the fore thinker,” is originally the sanskrit pramantha and means “twirler” or “fire-stick,” being the rod of hard wood which produced fire by rapid rotation in a piece of soft wood.
“We cannot deny that the myth must have been known also in Mesopotamia, the main center of civilization between India and Greece, and it becomes probable that the figure Sui-Jen has been derived from the same prototype as the Greek Prometheus.”
Other Chinese creation myths
This myth appears to have been preceded in ancient Chinese literature by the existence of Shangdi or Taiyi. Other Chinese myths, such as those of Nuwa, or the Jade Emperor, try to explain how people were created; and do not necessarily represent "world creation" myths. It is important to note there are many variations of these myths.
Other Pangu myth
Pangu is also honored as the creator of the world in Buyei legend, but in addition, he is also honored as the ancestor of Buyei people. According to the Buyei legend, Pangu became an expert in rice farming after creating the world, and subsequently married the daughter of Dragon King, and that was the beginning of Buyei people. The daughter of Dragon King and Pangu had a son named Xinheng (新横) but later, the son disrespected his mother, and the angry mother returned to heaven and never came down, despite the repeated pleas of her husband and son. Pangu was forced to remarry and eventually died on the sixth day of the sixth month of the lunar calendar and Xinheng's nightmare had begun. The stepmother treated Xinheng badly and almost killed him, and the angry Xinheng threatened to destroy the rice harvest of his stepmother. Realizing her mistake, the stepmother made peace with Xinheng and since then, on every sixth day of the sixth month of the lunar calendar, they paid their respect to Pangu. The day became an important traditional Buyei holiday for ancestral worship. This legend of creation is one of the main characteristics that distinguishes Buyei from Zhuang.
Pangu worship
Pangu is worshipped at a number of shrines in contemporary China. However, most if not all of these are modern creations built since the 1970s. In these shrines, Pangu is usually depicted in stereotypical "caveman" regalia, with leopard-skin tunics and long hair. Taoist symbols, such as the Bagua, are associated with Pangu in these shrines.
See also
Chinese creation myth
Tiamat
Ymir
Manu
First man or woman
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Creation of Heaven and Earth by Pangu is the creative myth that was spread in the Orient in ancient times.
Story has it that the heaven and earth were integrated into one body that resembles an egg, with Pangu slept inside. He slept for about 18000 years and then awoke. He found that he was in a vast of dark; therefore, he expanded his huge hands and cut into the darkness. After an explosion, the heaven and earth started to split. He feared that the heaven and earth may come together again, so he held the heaven with his hands and trod his legs on the land. His body grew three meters every day. Consequently, the distance between the heaven and earth became three meters longer every day. Time flies! Another 18000 years passed and now, the heaven became far away from the earth and the earth was now very thick. At the same time, Pangu also grew to a huge man. During this period, the heaven continued ascending and expanding while the earth sinking and thickening until the distance between them was as far as 90,000 kilometers which had reached the extreme. That was the condition of the universe in our eyes at present. Pangu gradually weakened after he separated the heaven and the earth. After he died, his body turned into all the things in the universe. His left eye became the sun and his right eye, the moon. The protruded parts in his body turn out to be high mountains and his blood became rivers. His muscle became the soil field, and his hair and beard became the stars on the sky and grasses on the ground. His teeth and bones turned out to be iron and huge stone while the essence in his body became pearls and precious jade. His breath became the wind and cloud, his shout became the thunderbolt, and the sweat turned out to be the rain. A lot of insects on his body were blown by wind into living human beings. This story was first appeared in Sanwu Liji written by Xu Zheng in the Three Kingdoms Period.
The myth of Pangu was pervasively spread among the southern ethnic minorities long long ago. Both of the Miao and Yao people took Pangu as their ancestors. So far, the Zhuang people are still singing "Song about Pangu Creating the Heaven and Earth". The song goes like this: Pangu split the heaven and the earth, and created the sun, moon and other stars. It is thanks to Pangu that human beings can get brightness... From historical record and oral tales, we can detect the evolution trace of the myth of Pangu in the process of spreading. Pangu split the heaven and the earth, seeded all the things in the universe and turned into the heaven and the earth. He is not only the god that created the world but also the hero who broke darkness and sought brightness. Pangu will forever remain living in the minds of generations after generations of the Chinese people.
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Who is Pan Gu?
Every culture has its own legend about how the universe began. Pan Gu is the Chinese version of Adam Kadmon, the primordial person in Kabbalistic thought, ...
Chinese Legends Of Emperor Huangdi And How The World Was Formed
Chinese Legends, translated and sent to me by my friend, Yin Cheng Chang of Hunan Province, because whenever I visit China, I am always buying books about Chinese Legends and the Chinese Classics! I hope you will enjoy reading them as much as I have done.
Chinese legends about Emperors and the gods they petitioned for guidance and help, are amongst the many Chinese classic stories, that have become subjects of films and television programs. Every country has its share of legends in one form or another, and the Chinese Legends compare favourably with any of them. England has its legend of Saint George who slew a troublesome dragon. Hanoi in Vietnam has a legend of a sword-bearing turtle in Hoan Kiem Lake. Is the story of, 'Jack and The Beanstalk', a legend or a fairystory?
There are many Chinese Legends about the Emperors, but before they came into existence, Pangu was born and separated Ying and Yang. The Chinese Legend about Pangu, the first born in the universe, and the changes that occured during the last moments of his life, in some ways compare with the religious scriptures about the creation of the world. In the Chinese Legend of Pangu, the ancestors of all men and women of this world were the insects on his body.
Chinese Legend Of Emperor Huangdi And His Half-Brother
Emperor Yangdi shared the country with his half brother Emperor Huangdi. Huangdi ruled by virtue, but Yangdi did not. They fought a battle in the Plain Of Zhulu where so much blood was shed that weapons floated on it.
(Yi Shi - A Book of History.)
Chinese legend of how Emperor Huangdi fought Emperor Yangdi in the Plain Of Banquan (also called Plain Of Zhulu) His vanguard was made up of bears, wolves, pheasants, eagles and kites.
(Lie Zi - Writings Of Lie Yu Kou.)
Emperor Huangdi And His Black Pearl In A Chinese Legend.
There is a Chinese legend of how Emperor Huangdi traveled to the northern side of the Chishui River and climbed the Kunlun Mountains. On the way back he lost his black pearl. He sent Zhi, a clever god, to find it, but Zhi failed. Then he sent Lizhu, a god with a sharp eye, who also failed. Then he sent Chigou, a god good at debating, who again failed. The Chinese Ledend tells how he finally sent Xiangwang, a careless absent-minded god, and Xiangwang found it. "It is really strange", the Emperor exclaimed, "that Xiangwang should have got it !"
Emperor Huangdi Subdues Four Other Emperors
In the early days of his reign, according to Chinese Legends, Emperor Huangdi was devoted to self-cultivation, he loved his people and had no interest in warfare. Four chiefs, claimed that they were the Blue Emperor, the Red Emperor, the White Emperor and the Black Emperor, according to the color of the direction that each of them was situated. The Chinese Legend says that the four conspired together and daily harassed the frontier areas. The soldiers were always on the alert, unable to take off their helmets and armour for a moment. Emperor Huangdi said "If the King is not safe, his subjects will have no security. If the King loses his country, his officials will serve other rulers just like women re-marrying other men. Is such a disaster not caused by giving the enemy too much freedom ? Now I am ruler of all the people, but the bandits dare to defy me and provoke my troops frequently."
So he went to the frontier forts and subdued the four Emperors.
A Chinese Legend Of How Pangu Separates The Sky From The Earth.
According to the Chinese Legend, the sky and the earth were at first one blurred entity, like an egg. Pangu was born into it. The separation of the sky and the earth took eighteen thousand years; the Yang which was light and pure rose to become the sky, and the Yin which was heavy and murky sank to form the earth. Between them was Pangu, who went through nine changes every day, his wisdom greater than that of the sky and his ability greater than that of the earth. Every day the sky rose ten feet higher, the earth became ten feet thicker, and Pangu grew ten feet taller.
Another eighteen thousand years passed, and there was an extremely high sky, an extremely thick earth and an extremely tall Pangu. Then came the three Emperors. The Chinese Legend states that these numbers came into existence and evolved like this:- The numbers begin with one, become established as three, are completed at five, prosper at seven and end in nine. So the sky is ninety thousand li from the earth.
" " " "Pangu, appearing in literature no earlier than about 200 AD, was the first sentient being and creator. In the beginning there was nothing but a formless chaos. Out of this chaos there was born an egg for eighteen thousand years. When the forces of Yin and Yang balanced, Pangu emerged from the egg, and set about the task of creating the world. He separated Yin and Yang with a swing of his great axe. The heavy Yin sank to become the Earth, while the light Yang rose to become the Heavens. Pangu stood between them, and pushed up the sky. At the end of eighteen thousand years, Pangu laid to rest. His breath became the wind; his voice the thunder; left eye the sun and right eye the moon; his body became the mountains and extremes of the world; his blood formed rivers; his muscles the fertile lands; his facial hair the stars and milky way; his fur the bushes and forests; his bones the valuable minerals; his bone marrows sacred diamonds; his sweat fell as rain; and the little creatures on his body (in some versions, the fleas), carried by the wind, became human beings all over the world. " " " " Src: Wikipedia
Chinese Legend of How Pangu Turns Into Myriads Of Things
Pangu, who was born before anything else, underwent great bodily changes when he was dying. His breath became the winds and clouds, his voice thunder, his left eye the moon, his arms and legs the four poles of the earth, and the five parts of his body, the five mountains. His blood formed the rivers and his veins the roads. His flesh and skin became the soil of the fields and his hair and moustache the stars. The fine hair on his skin turned into grasses and trees, his teeth and bones became metals and rocks. His marrow changed to pearls and jade and his sweat fell as rain that nourished all things. The insects on his body, caressed by the winds, took the shape of men and women.
Nuwa Makes Rich Men, and Poor Men, in Chinese Legends
It is said that there were no men when the sky and the earth were separated. In the Chinese Legends it is said that Nuwa made men by moulding yellow clay. The work was so taxing, that her strength was not equal to it, so she dipped a rope into the mud and then lifted it. The mud that dripped from the rope also became men. Those made by moulding yellow clay were rich and noble, while those made by lifting the rope were poor and low.
(Yi Shi - A Book of History.)
Nuwa Mends The Sky With Melted Rocks In Chinese Legend
In ancient times, the four corners of the sky collapsed and the world with its nine regions split open. The sky could not cover all the things under it, nor could the earth carry all the things on it. A great fire raged and would not die out; a fierce flood raced about and could not be checked; savage beasts devoured innocent people, and vicious birds preyed on the weak and old.
The Nuwa melted rocks of five colors and used them to mend the cracks in the sky. She supported the four corners of the sky with legs which she had cut off a giant turtle. She killed the black dragon to save the people of Jizhou, and blocked the floods with the ashes of reeds. Thus the sky was mended, its four corners lifted, the flood tamed, Jizhou pacified, harmful birds and beasts killed, and the innocent people were able to live on the square earth under the dome of the sky. It was the time when birds, beasts, insects and snakes no longer used their claws or teeth or poisonous sting, for they did not want to catch or eat weaker things.
Nuwa's deeds benefited the heavens above and the earth below. Her name was remembered by later generations and her light shone on every creation. Now she was traveling on a thunder-chariot drawn by a two winged dragon and two green hornless dragons, with auspicious objects in her hands and a special mattress underneath her. She was surrounded by golden clouds, a white dragon leading the way and a flying snake following behind.
Floating freely over the clouds, she took ghosts and gods to the ninth heaven and had an audience with the Heavenly Emperor at Lin Men, where she rested in peace and dignity under the Emperor. She never boasted of her achievements, nor did she try to win any renown; she wanted to conceal her virtues, in line with the ways of the universe.
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Finally, here is a translation of a Chinese Song sent to me by my friend Zhong Ri Sheng of Guangxi Province.
Zhun Shi Hao leaves his family and friends,
Works hard to earn a living,
His life is like an actor's,
His face does not show the feelings of his heart and mind.
Rice wine is his comfort to sleep,
He thinks of the brave sailors,
Fighting through wind and rain.
In his half-sleep he hears the sailors say,
"This heartache does not matter,
Don't fear for the future,
At least we can still have our dreams."
Zhun Shi Hao wipes away his tears.
Don't ask why !