5.12
LESSON 12 NOW LET'S LOOK AT THE PICTURE I TOOK LAST NIGHT. ls t(wlv),n lt lk(a) t pt I tk ls nt
SCENE ONE: THE MUSEUM OFFICE
DIANA: Mr.Tate. mst tt
PHILIP: Diana, I'm sorry to surprise you. din,I m sr t sp rs y
Could we talk to you for a minute? c dw t t y f(a) mnt
DIANA: Well, OK. w,ok
PHILIP: Victor is an art dealer from New York. vt r(i) s(a) n(a) dl f nyk
He's looking for things to sell in his shop. hs lki f ts t s l(i) n(h) sp
DIANA: I could give you the names of art dealers in Stamford. I c gv y t nm s(o) f a dl s(i)s tf
VICTOR: No. I came to see you. n,I cm t s y
PHILIP: Let's get right to the point. lt gt r t t pit
Victor wants to buy Indian objects. vt ws t b id(i) n(o)b jct
Could you sell some of the items from the museum? c y s s m(o) f t itms f t ms e(u)m
DIANA: No. I couldn't sell you any Indian objects. n ,I cd s y u(a) n(i) d(i) n (o)b jct
My uncle never gave any to me. m uc nv g v(a) n t m
He gave everything to the museum. h gv evt t t ms e(u)m
VICTOR: Think hard. t k (h) (d)
I can pay you well. I c p y w
DIANA: No. I couldn't sell you anything if I wanted to. n,I cd s l(i) u(a) nt I f(i) wt t
And I don't want to. an I d wt
PHILIP: Well. Let's be on our way, then. w,lt b o n(o) w,t
Good night, Diana. gd n,din
DIANA: Good night. gd n
SCENE TWO: DIANA'S LIYING ROOM
TONY: Anybody here? anbd h®
DIANA: Oh, Tony. o,tn
Come in. c m(i)
TONY: I know the secret of the treaty. I k t sc e(o) f t tt
DIANA: Really? rl
Why don't we close the door? w d w cls t d®
TONY: Let's take a look at these. lt tk a t ts
TONY: This one shows Ben with the Stamford Treaty. ts o ss b w t stf tt
Now look at this. n l k(a) ts
It's a blowup of the treaty. it s(a) bl p(o) t tt
DIANA: But Tony, it's only a photo. b tn,(i)t s(o) l a pt
What can it tell us? w c n(i) t l(u)s
TONY: Now let's look at the picture I took last night. n lt lk(a) t pc I tk ls n
DIANA: What do you see? w d y s
TONY: Look at the treaty in the photo with Ben. lk(a) t tt I t pt w b
Look at the mark. . . l k(a) t mk
Now look at the mark on the treaty in the drawer. n l k(a) t mk o t tt I t dw
DIANA: This mark is different from that one. ts m k(i)s df f t o
How could they be different? h c dt b df
TONY: This could be a fake. ts c b a fk
DIANA: A fake? a fk
TONY: Maybe Mr.Tate stole the real treaty. mb mst t t(s) tl t re tt
He put this fake in the drawer. h p ts f k(i)n t dw
DIANA: But my uncle discovered it right away. b m uc dscv d(i) r t(a) w
That's why he called me that night. . . ts w h c(d) m t n
Then who killed my uncle? t w k(d) m uc
TONY: It could be Mr.Tate. I c b mst tt
DIANA: No, Tony. n,tn
It couldn't be Mr. Tate. I cd b mst tt
TONY: Why? w
DIANA: The police talked to Mr.Tate. t plc t t mst t
He was at home that night. h w s(a) hm t n
He couldn't be the killer. h cd b t kl
TONY: Then who could it be? t w c d(i) b
DIANA: It could be Victor Chapman. I c b v©t cpm
He's an art dealer and a friend of Mr.Tate's. . . h s(a) n(a) dl a a f d(o) f mst t ts
But where's the proof? b ws t pf
And is he going to kill again? a n(i) s(h) gi t k l(a)g