练习

4.9

Lesson09 Jeff, be as calm as you can.  lsn jf bascmsyc 

SCENE ONE: STUDIO-THE MUSEUM OFFICE SET

MARY BETH: Are you ready?  ayrd
JEFF: Yeah. I'm as ready as I can be for the first day of rehearsal.  y imsrdascbftfsdrhs
MARY BETH: Come on.  cm
  Steven's easy to work with.  stvsestwwt
MARY BETH: Hi, Steven. . .  i stv
    Hi, Steven.  h stv
STEVEN: Oh, hi.  o h
    How are you two this morning?  hayttsmn
MARY BETH: Fine.  f
STEVEN: By the way,  btw
  is this yours?  istsys
MARY BETH: No. It's not mine.  n itnm
STEVEN: Then whose is it?  twss(t)
JEFF: It has coffee on it.  ihscfn(t)
  It's probably Charles's.  itpbblcs
MARY BETH: That's his.  tths
STEVEN: OK, I'll give that to him when we're done here.  ok ilgvtthmwwrdh
                ok    i l  g v  t      t    (h) m            w  r    d        h
Why don't we start with page forty-eight?  wdwstwtpgfte
STEVEN: In this scene,  it(s)s
  Tony and Diana are at the museum.  tndanaatms
  t    n  (a)      d  an  a    a  t      m  s
It's late at night.  itltn
  I want you to stop outside the door and then walk into the office. OK?  iwttstpostdatwkttofc ok
JEFF: Sure. s
MARY BETH: Hello?  hl
    Is anyone here?  isnoh
JEFF: Maybe he went home.  mvhwhm
DIANA: And left the lights on?  alftls
  You know he never wastes a penny.  tnhnvwsspn
  y        n      h    n  v    w  9s)  s    p  n
TONY: Maybe he went home, Diana. mbhwhm
    Maybe he left a note for you.  mbhl(f)tn(t)fy
STEVEN: No, no, Jeff. I want you to try something different.  nn jf iwtttsmtdfr(t)
JEFF: OK.  ok
STEVEN: Start with your line.  stwtyl
DIANA: And left the lights on?  alftls
  You know he never wastes a penny.  ynhnvwsspn
  y        n      h  n  v    w        s    p  n
TONY: Maybe he went home, Diana.  mbhwhm dan
  Maybe he left a note for you - mbhlftnfy

STEVEN: No, Jeff. Don't be as serious as that. OK?  n jf dba(s)srsat ok
JEFF: Right. Got it.  r gt
STEVEN: Start with your line.  stwtyl
TONY: And left the lights on?  alftls
MARY BETH/DIANA: Wait a minute, Jeff.  wtmn  jf
  That's not your line. It's mine.  ttnyl  itm
    And left the lights on?  alftls
    You know he never wastes a penny.  ynhnvwspn
TONY: Maybe he went home, Diana.  mbhwhm dan
  Maybe he left a note-  mbhlftn
STEVEN: No. No. No.  nnn
    Jeff, your reaction is different from Diana's.  jf yractisdfrfdans
    You should be calmer than Diana.  ysbcmtdan
  You're not as worried as she is.  yr ntswrdssis
    y    r    n  t  s  w  r    d  (s)s    is
JEFF: What is it?  wts(t)
STEVEN: Look, Jeff, be as calm as you can.  lk jf  bascm(s)yc
                  l      k jf      b  as  c  m  s        c
MARY BETH: Steven, just a thought.  stv jstt
  If Diana is worried,  idaniswr(d)
  doesn't she want some reassurance from Tony? 
  d      s    s      w    t      m  r    s    r    (c)f          t  n
JEFF: Let me try that.  kmtt
STEVEN: OK, fine. Anything.  ok f ant
DIANA: And left the lights on?  alftls
    You know he never wastes a penny. 
    y        n      h  n  v    w        s    p  n
TONY: Maybe he went home, Diana.  mbhwhm dan
    Maybe he left a note for you.  mbhlftnfy
STEVEN: Good, good. g g
    Keep going.  k(p)g
TONY: Why don't we try to call him at home?  wdwttchmhm
DIANA: wow! w
TONY: What is it?!  wts
DIANA/MARY BETH: It's. . . It's. . . It's the end of my page.  it it ittedmpg

4.10

Lesson 10 Do you know how my name is spelled? lst dykhmnm(s)sp(d)


SCENE ONE: THE MUSEUM OFFICE

TONY: A little closer, Mr. Morris. . .  altcls  mmrs
    Hold that smile, Mr. Tate.  httm mt
    Got it. Thank you, gentlemen.  gt tk gtm
    And welcome to Stamford, Mr. Tate.  awcmtstf(d) mt
  I wish you the best in your new job.  iwstbstynj(b)
PHILIP: Thank you so much.  yksmc
BEN: I'm glad that's over. imgltsv
TONY: I need a quote from each of you for the newspaper article.  indq(t)fecyftnsppatc
BEN: We're proud to have Philip Tate join our museum.  wrpthvpl(p)t(t)jnms
PHILIP: And I'm proud to be working for Ben Morris,  adptbwkfbmrs
    the leading expert on Stamford history. . .  tldexptstf(d)hstr
    Do you know how my name is spelled?  dynhmnm(s)sp(d)
TONY: P-h-i-l-l-i-p T-a-t-e.  phillip tate
PHILIP: Philip is spelled with one l.  plp(s)sp(d)wto l
TONY: Oh, right.  o r
  You know, I'd like to get another photo.  yn i(d)ltgtntpt
BEN: It's your money.  is(y)mn
PHILIP: Why don't we show Mr. Hunter an Indian object?  wdwsmht(a)idobj(c)t
TONY: That's beautiful. . .  ttb(t)f
  What's it made of?  wsmd
PHILIP: It's made of leather.  itmdlt
  Most Indian pouches are made of leather.  msidpcsmdlt
TONY: What's it used for?  wsus(d)f
PHILIP: It's used for tobacco.  itus(d)ftbc
    Of course,  o(f)cs
    there isn't any tobacco in there now.  tisantbcitn
  It's two hundred years old.  itthd(d)ys
BEN: We can use this.  wcu(s)ts
TONY: What is it?  wts
BEN: This is the Stamford Treaty, 
          t    s    (s)  t      st      f      t      t
the most important item in the Morris Museum.  tm(s)tptitmtmrsms
t    m  st      p    (t)  it  m  n(t)  t      m  r  s m  s
TONY: How old is it?  hods(t)
BEN: Look here.  lk(h)
  It's dated 1640,  itdt 1640
  and it's signed by two great Indians.  ait(s)sbtgids
    a      i (s)s          b  t      g      t    d    s
  All the big museums would like to own this,  atb(g)msswltots
  a    t    b (g)m s        (s)w      l      t    o  n (t) s   
but it's going to stay right here at the Morris Museum in Stamford. . .  bitgtstrhatmrsmsmstf(d)
b    it    g        t    st    r    t (h)    a  t      m rs    m s          i  st      f    (d)
It's worth a fortune.  itwtft
TONY: It's your museum, Mr. Morris,  it(y)ms mmrs
    so why don't you sit at the desk?  swdtsttdsk
    s    w    d    t (y)  s t      t      s  sk
And Mr. Tate,  amtt
  why don't you look over Mr. Morris's shoulder?  wdtlkvmmrssd
PHILIP: Like this? lts
TONY: That's fine. . . tsf
    Mr. Morris,  mmrs
  a pleasant look, please?  apslkpls
  Thank you. . .  tk
  That's it.  ts
    You'll see the story in Friday's paper.  ylststrfdspp
PHILIP: I look forward to seeing it.  il(k)fwtsi(t)
DIANA: Uncle Ben?  ucb
    The carpenters want to talk to you about the new room.  tcptswtt(k)t(a)btnrm
BEN: Oh, good.  o g
    Philip, why don't you come with me?  pl(p)wdt(y)cmwtm
PHILIP: So good to meet you, Mr. Hunter.  sgtmt mht
TONY: Thank you.  tk
TONY: They don't get along, do they?  tdgtl dt
DIANA: And Mr. Tate started to work here only three weeks ago.  amtstttwk(h)oltwksg
              a      m  t        st  t      t  w    k (h)    o  l  t        w    ks  g
TONY: I hate to say it, Diana,  ih(t)ts(i) dan
    but your uncle does have a difficult personality.  byucdshvdfc(t)psnlt
DIANA: Oh, sometimes he blows up at people,    o smtms(h)blsp(a)pp
  but he doesn't really mean it.  bt(h)dsrlmn(t)
  You know, Uncle Ben started this museum.  yn ucbstt(d)tsms
    Now he's sitting pretty,  n(hs)stpt
  and he has the money to hire Mr. Tate.  ad(h)hs(t)mnthmt
    I think that's good news.  it(k)ttg(d)ns
TONY: I'm not so sure. imnss

这课语速40，停顿四次完成注音45分钟。停顿时间长，我是想尽力在记音的基础上自己试图能根据以往练习的效果来检验自己对变音连读等的熟悉情况。对于一些细腻的音节还是不行，把握不好。用40的语速仔细检查，用了20分钟。
请教老师，对于一些连读变音的音节，因为两个音连在一起发音时，都发生了变音，是两个音的混合音，这该如何注音呢？

请教老师，对于一些连读变音的音节，因为两个音连在一起发音时，都发生了变音，是两个音的混合音，这该如何注音呢？

变音=A音+(B)音连读拼写

4.11

Lesson 11 It was given to me over forty years ago.  lselv i(t)wsgvtmovftysg

SCENE ONE: THE MUSEUM OFFICE

BEN: I tell you it isn't right.  ityitsrt
PHILIP: Now, Ben,  nb
  I don't see any problem with this.  ids(a)npbw(t)ts
BEN: It was changed.  iwscg(d)
PHILIP: Changed? How?  cg(d) h
BEN: It was given to me over forty years ago.  iwsgvtmovftysg
  I know it like the back of my hand.  in(i)ltbdmh(d)
  It was signed with a different mark. iw(s)s(d)wtdfmk
PHILIP: Now, Ben, relax.  n b rlx
BEN: Something's wrong here, Philip,  smt(s)wh plp
  and I'm going to find out what it is!  ad(im)gtfdwtt(s)
BEN: Hello?. . . Yes. . .  hl ys
  All right,  ar
  I'll be right down.  ilbrd

SCENE TWO: DIANA'S LIVING ROOM

TONY: It doesn't sound odd to me.    idssd(o)tm
DIANA: My uncle was in a very strange mood.  mucws(a)vrstgmd
    Oh, I know Uncle Ben is difficult to get along with.  o  inucbisdfctgtlwt
    But I have a bad feeling about that argument this afternoon.  bthvbfl(a)btt(g)mts(a)ftn
  b    t  h  v        b    f    l        b      t    t    (g)  m    t  s  ft    n
I wonder what it was about.  iwdwtws(a)b
TONY: Diana, don't worry about it.  dan dwrbt
    Look, it's late.  lk itlt
  I have to go.  ihvtg
  Are we still going to get together Saturday?  awstgtgtgtstd
DIANA: Yes.  ys
DIANA: Hello?  hl
BEN: Diana, I have to talk to you.  dan ihvtt(k)ty
DIANA: Uncle Ben?  ucb
  What is it?  wts(t)
BEN: I have to show someone.  ihvtssmo
  I know you'll understand.  inyludstd
DIANA: Show me what?  smw(t)
  What's going on?  wtgo
BEN: Just get over here right away. jsgtvrtw
    I'm at the museum.  imtms
DIANA: But Uncle Ben. . .  bucb
BEN: I have proof!  ihvpf
TONY: What was that all about?  ww(s)tt(a)l(a)b
            w        w  s t    t    l  b
DIANA: It's Uncle Ben.  itucb
  He wants me to go over to the museum.  hwtmtgovttms
TONY: Now? It's almost midnight.  n is(a)msm(d)n
DIANA: He was really upset.  hwsrlu(p)s(t)
  I have to go.  ihvtg
TONY: I'm going with you.  imgwt(y)

SCENE THREE: THE MUSEUM OFFICE

DIANA: Hello? Is anyone here?  hl is(a)noh
TONY: Maybe he went home.  mbhwhm
DIANA: And left the lights on?  alftls
  You know he never wastes a penny.  yn(h)nvwspn

TONY: Maybe he went home, Diana.  mb(h)whm dan
    Maybe he left a note for you. . .  mb(h)lftnfy
  Why don't we try to call him at home?  wdwttchmat(m)

TONY: What is it?    wts
DIANA: Uncle Ben!. . .  ucb
  Is he dead? is(h)d
TONY: I'll call an ambulance.  ilcn(am)blc
            i  l  c        n      b  l    c
OPERATOR: Emergency.  emgc
TONY: Yes. I want to report an accident.  ys iwtrpt(a)a(c)cd
            y    s i  w      t  r  p  t  n      c  d 
OPERATOR: What kind of accident, sir?  wkdacd(t) s
TONY: A man was injured.  amwsijd
OPERATOR: Where are you?  way
TONY: I'm at the Morris Museum at 1406 Bedford Street.  imtmrsmsa1406bfstt
DIANA: Oh, Tony,  otn
  I think he's dead.  itk(h)sdd
TONY: It looks like he was hit on the head.  ilklk(h)wshtthd

4.12

Lesson12 Was anything stolen from this room?  lst(v) ws(a)nt stlfts(r)m

SCENE ONE: THE MUSEUM OFFICE

DETECTIVE STONE: So, you say the outside door was closed when you got here?  s ys(t)osd
TONY: That's right.  ttr
DETECTIVE STONE: And this window was closed?  atswdwsclsd
TONY: Yes.  ys
DETECTIVE STONE: Then how did you get in?  thdd(y)gt
  The museum was locked up hours ago.  tmswl(k)d(u)phs(a)g
DIANA: I was given an extra key when I started working here.  iwsgvn(a)extkwnsttwkh
DETECTIVE STONE: Who else was given a key?  weswsgv(a)k
DIANA: Well. . .  wl
  there's Lisa, the secretary. . .  tsls tsctr
  And Mr. Tate, of course.  amt t  ofcs
DETECTIVE STONE: Yes, I called him.  ys icd(h)m
  You can go now.  ycgn
  I'll call you if I need any more information.  ilcyif(i)nd(a)nmifmt
DIANA: Are you going to catch the person who did this, Detective?  aygtct(t)pswd(d)ts dtctv
    My uncle was a good man.  mucwsgm
DETECTIVE STONE: Believe me, Miss Morris,  blvm msmrs
    I'm going to do everything I can.  imgtdevt(i)c
TONY: Come on, Diana.  cm dan
DETECTIVE STONE: You are. . . ?  ya
PHILIP: Philip Tate.  plp tt
DETECTIVE STONE: Thank you for coming at this late hour, Mr. Tate.  tk(y)fcm(a)tslt(h)
    I'm Detective Stone.  imdtctv st
  I need your help.  ind(yhp
PHILIP: Of course. But I don't know how I can help.  ofcs  btdnh(i)chp
    I don't understand how a terrible crime like this could happen.  idudsth(a)tr(b)cml(k)ts(c)hp
DETECTIVE STONE: We think the museum was entered at midnight.  wttmswsetd(a)m(d)n
  The killer came to this office,  tklcmtts(o)fc
  where he was surprised by Mr. Morris.  whw(s)sprs(d)bmtmr
  Mr. Morris was knocked down,  mtmrs w(s0n(k)d
  and then he was hit on the head behind the desk here.  athwshtth(d)hbtds(k)h
PHILIP: Is he. . . ?  is(h)
DETECTIVE STONE: The body was taken away an hour and a half ago.  tbdwstd(a)w ahahf(a)
PHILIP: Oh. 0
DETECTIVE STONE: Mr. Morris was seen with you this afternoon.  mt mrsw(s)swtyts(a)fn
  Is that right?  is(t)r
PHILIP: Yes.  ys
  Say, you don't think I had anything to do with this terrible crime.  s ydtk(i)hd(a)nttdw(t)tstrbcm
DETECTIVE STONE: I'm just asking questions, Mr.Tate.  imjst(a)skqsts mtt
PHILIP: Yes, of course.  ys ofcs
DETECTIVE STONE: Was anything stolen from this room?  ws(a)tstlfts(r)
PHILIP: I have to look at the entire collection.  ihvtlk(a)t(e)tclct
  That's the only way to be sure.  tt(t)olwtbs
DETECTIVE STONE: Well, you're the expert.  wl yrt(e)xp
  Can you do that in the morning?  cndtttmn
PHILIP: Of course, Detective.  of dtctv
  Anything you need.  antyn
TONY: Detective,  dtctv
  can I talk to you for a moment?  cnttyf(a)mm(t)
DETECTIVE STONE: What is it?  wts
TONY: We think Mr.Tate had something to do with this.  wtmtth(d)smttdw(t)ts
DIANA: I told you about my uncle's phone call.  itd(y)(a)bmucspc
  He was so angry.  hw(s)s(a)g
  And I think he was angry at Mr.Tate.  ad(i)t(k)(h)ws(a)gr(a)mtt
DETECTIVE STONE: Did your uncle use Mr.Tate's name?  dd(y)ucusmttsnm
DIANA: Well, no.  wl n
DETECTIVE STONE: I need facts, Miss Morris.  inf(c)t  msmrs
    I can only work with facts.  icolw(k)wtfct
DIANA: Detective-- dtctv
DETECTIVE STONE: Let the police handle this, Miss Morris.  ltplchdts msmrs
  We'll look at all the possibilities.  wllk(a0t(a)tpsblts
DIANA: I hope you do, Detective. . .  ihpyd dtctv
  I hope you do. ihpyd

顶住victorlee一天练习两课的进度就可以了。这样我就要奋力才能赶上你们。

5.1

LESSON 1 STEVEN, YOU WORRY TOO MUCH ABOUT SMALL THINGS.  lso  stv ywrtmc(a)bsmts
TEXT

SCENE ONE: STUDIO - THE MUSEUM OFFICE SET

RITA: Look, I found a sweater.  lk ifdswt
  I got it yesterday.  igt(i)ystd
STEVEN: Mmm . . . I don't know about the color.  m idnbtcl
RITA: Steven, I can't return this sweater again.  stv icrttswt(a)g
  Are you sure we can't use it?  ayswcus(i)t
STEVEN: White never works well on television.  w(t)nvwkswl(o)tlvs
RITA: I really did my best.    irld(d)mbs(t)
  I bought some great sunglasses .  ibtmgsglss
  I found the perfect pants.  ifd(t)pfcpt
  I returned so many sweaters, the salesclerk hides when she sees me.
  irt(d)smnswts ts(s)cl(k)hswsssm

STEVEN: Please return the sweater.  plsrt(t)swt
  And you have to return a skirt for Mary Beth.  ayhvtrtn(a)sk(t)fmrbt
  It was too short.  iwsts(t)
RITA: All right.  ar(t)
RITA: Guess what?  gswt
    Steven wants me to exchange this sweater again.  stvwtmt(e)xcgt(s)swt(a)g
    First he thinks the color is too bright.  fst(h)tks(t)clistbt
    Then he thinks the color isn't bright enough.  t(h)tks(t)clisbt(e)ng
    I don't know.  idn
    He changes his mind so often,  hcgs(h)smsof
    I'm getting confused.  imgtcfsd
    I need some help!  indmhp

SCENE TWO: THE CONTROL ROOM
LINDA: you're making things difficut for RITA.  yrmktsdfcfrt
STEVEN: I want to get it right.  iwtgt(i)rt
LINDA: Steven, you worry too much about small things.  stv ywrtmc(a)bsmts
STEVEN: Look, the sweater is important. OK?  lk tswtis(im)pt(t)  ok
LINDA: Steven, this show is important.  stv t(s)s is impt(t)
  I'm sure you're doing a good job.  imsyrdi(a)gjb
  But you only have two weeks.  bt(y)olhvtwks
STEVEN: Linda, don't worry.  ld dwr
    Come to rehearsal later.  cmtrhslt
    I need some time with the script.  indmtmw(t)tscp(t)
And Rita needs to find the right sweater.  adrtndtf(t)rswt

SCENE THREE: A DEPARTMENT STORE

SALESCLERK: May I help you, miss?  m(i)hp(y)  ms
RITA: Hi. Remember me?  h rmbm
CLERK: Oh, yes.  o ys
  You're the lady from WEFL
RITA: I need to exchange these.  int(e)xcgts
CLERK: All of them? Why?  al(of)tm w
RITA: Well . . . the skirt isn't long enough  wl tsk(t)isleng
  . . . the sweater isn't bright enough. . .  tswtisbt(e)ng
  and the pants are too tight.  a(d)tps(a)tt(t)
  Oh, of course the pants go back to the men's department.  o ofcstptgb(k)ttmsdpm9t)
CLERK: Well, let's get started.  wl ltg(t)stt(d)
  Now what about this skirt?  n wt(a)bt(s)skt
RITA: It's too short.  ittst
CLERK: What size is it?  wszis(i)t
RITA: Size seven.  s(z)sv
CLERK: Just a moment.  jst(a)mm
CLERK: Here are some skirts.  h(a)smskt
  They're longer.  trlg
  Those pajamas are nice, aren't they?  tspjms(a)nc at
RITA: Yes. I need to get some pajamas,  ys intg(t)smpjms
  but these are too expensive.  b(t)ts(a)t(e)xpsv
CLERK: They're going to be on sale next week.  trgyb(o)snxw(k)

5.2

LESSON 2 SO WHAT IF HE'S A FEW DAYS LATE?  lst  swif(h)s(a)fdsl(t)


SCENE ONE:THE CONTROL ROOM

MIKE: More coffee?  mcf
LINDA: Just a little.  jst(a)lt
  I don't drink much coffee anymore.  idd(k)mccfanm
MIKE: That's good.  ttg
  Coffee isn't good for you.  cfisgfy
LINDA: I know. in
  I'm trying to cut down on coffee.  imttcdn(o)cf
  It makes me more nervous .  imks(m)mnvs
MIKE: What's the matter?  wttmt
LINDA: It's Steven.  itstv
  I'm worried about him.  imwrd(a)bt(h)m
MIKE: Give him time.  gv(h)tm
LINDA: I'd like to.  i(d)lt
  But we don't have much time.  bwdhvmctm
MIKE: How much time do you have?  hmctmdyhv
LINDA: We only have a few weeks to finish this show.  wonhv(a)fwkstfnst(s)s
  Then we have to do twelve more.  twhvtdtvm
MIKE: A few weeks. 
That's lots of time.  ttls(o)ftm
LINDA: I'm not so sure.  imnss
MIKE: That bad?. . . tb
  Linda, cigarettes are bad for you.  ld cgrs(a)bfy
LINDA: And your pipe is bad for you.  ad(y)ppisbfy
MIKE: I don't smoke it anymore.  idsmk(i)anm
LINDA: Well, I don't smoke many now.  wl idsm(k)mnn
  I used to smoke more before.  iustsm(k)mbf
MIKE: How many cigarettes did you smoke?  hmncgsdd(y)smk

LINDA: Three packs a day. tpks(a)d
    I'm never going to smoke that much again.  imnvgtsm(k)tmc(a)g
  And I'm only going to smoke one this afternoon.  ad(im)olgtsm(k)ots(a)ftn
a    d(i )m  l  g        t    sm (k)  on  (t) s (a)ft n   
MIKE: One now, more later.  on mlt
  Before you know it,  bfyn(i)
  you're smoking three packs a day.  yrsmktpks(a)d
LINDA: Oh, please.  o pls
  I only want one.  iolwo
MIKE: I know. in
LINDA: Pass the sugar, please, Mike.  pstsg pls mk
MIKE: Sugar is bad for you too.  sg(i)sbfyt
LINDA: Mike, a little sugar is OK.    mk altsgis ok
MIKE: I'm a new man, Linda.  im(a)nm ld
I only eat healthy food.  iol(e)htf
I get lots of exercise.  ig(t)ls(o)f(e)xcs
i  g    l  s  f        c  s 
I feel much better.  ifmcbt
LINDA: You look good.  yl(k)g
MIKE: I eat lots of fish and vegetables.  ie(t)os(o)ffs(a)bgtb(s)
  I don't eat much red meat.  idemcr(d)m(t)
LINDA: OK. OK. What about Steven?  ok ok wtbstv
MIKE: Linda, the show looks good.  ld tslksg(d)
LINDA: But the schedule looks terrible.  b(t)tscdlkstrb
  I spent some time with the calendar.  isptmwtcld
MIKE: When do we finish?  wdwfns
LINDA: October twenty-third.  o(c)tbtttd
  Steven is too slow.  stvistsl
MIKE: So what if he's a few days late?  swif(h)s(a)fdslt()
LINDA: Forget it.  fgt(i)
  We don't have much time or much money.  wdhvmctmomcmn
MIKE: What does Steven say?  wd(s)stvs
LINDA: He says, "Don't worry."  hss dwr
  You have to help me, Mike.  yhvth(p)m mk
  Steven has to go faster.  stvhstgfst
MIKE: Maybe I can give him a little advice. mbcgv
            m  b      c    g  v  (h)m (a)l t  (a)dvc
LINDA: Well, here he comes now.  wl h(h)cmsn
STEVEN: Linda, I changed a few lines in the script.  ld icgd(a)fls(i)n(t)scp(t) 
Hi, Mike.  h  mk
  The show is going really great, isn't it? 
  t      s      (i)s g        r      l  g        is  t 
MIKE: Say, Steven,  s  stv
    what are you doing for lunch?  wt(a)ydflc
STEVEN: I don't have any plans.  idhv(a)npls
MIKE: Great.  g
  I know a great health-food restaurant.  in(a)ghtf(d)rstr
  Come on. cm(o)

5.3

LESSON 3 WE DON'T HAVE MUCH TIME.  lst  wdhvmctm
TEXT

SCENE ONE: STUDIO - DIANA'S LIYING ROOM SET

STEVEN: I didn't sleep last night.    iddsl(p)lsnt
    Maybe I slept a few hours, but not many.  mb(i)slt(a)fhs bnmn
  I dreamed about sweaters.  id(d)abswts
    I worried about props and costumes . iwrd(a)bppsacstms
  We need a treaty.  wn(d)att
  We need some shoes.  wn(d)smss
  A key. ak
  We also need some pajamas. . .  wasn(d)smpjms
  some pants. . .  smpt 
  a hat,  ah
  a raincoat,  arc
  and some scissors. . . ad(s)msss
  And I never told Rita to buy the scissors.  idnvt(d)rttbtsss
LINDA: Is everything going OK?  isevtgok
STEVEN: Perfect. pfc(t)
  Couldn't be better.  cdbbt
  Really great, Linda.  rlg ld
LINDA: That's good news.  ttgns
  I'm going to sit over there and watch.  imgtst(o)vtawc
STEVEN: Relax. Have some coffee. rlx h(v)smcf
    We're going to begin in a few minutes.  wrgtbg(i)n(a)fmnt
STEVEN: Rita! rt
RITA: Yeah?  y
STEVEN: We need some scissors.  wnd(s)msss
RITA: I have them, Steven.  ihvtm stv
STEVEN: Oh, Rita, that's great.  o rt ttgt
  Thank you, Rita.  tk(y) rt
RITA: Sure, Steven.  s stv
  I have a question about Detective Stone's glasses.  ihv(a)qstnabdtctv stsglss
STEVEN: His glasses?  h(s)glss
RITA: Does he wear any?  ds(h)wan
STEVEN: Does Detective Stone wear glasses?  dsdtctvstwglss
RITA: Yes. Does he?  ys ds(h)
STEVEN: Hmmmm. . . Yes.  m ys
  The detective wears glasses.  tdt(c)tvwsglss
RITA: Oh, no.  o n
STEVEN: What's the matter?  wttmt
RITA: Well, I bought him some glasses ,  wl ibt(h)smglss
  but they don't fit right.  btdf(t)rt
STEVEN: What's wrong with them?  wtrwtm
RITA: They're too big.  trtb(g)
  What are we going to do?  wt(a)wgtd
JEFF: Can I make a suggestion?  cn(i)mk(a)sgst
STEVEN: What is it, Jeff?  wt(i)s(t) jf
JEFF: Forget about the glasses.  fgtabtglss
STEVEN: Right. Good idea.  rt gd(i)d
MARY BETH: Thanks, Jeff. . .  tks jf
  We're late.  wrlt
  I have to leave at five.  ihvtlv(a)fv
  My baby sitter is expecting me to come home.  mbbstis(e)xp(c)tmtc(m)hm
JEFF: And I have a date.  ad(i)hv(a)d(t)
LINDA: I'm getting very nervous. imgtvrnvs
STEVEN: Everything's fine.  evrtsf
LINDA: We're two hours behind.  wrthsbh
STEVEN: OK. . . Action!  ok act
DIANA: But Detective Stone,  bdt(c)tvst
  I want to know what the police are going to do about my uncle's murder. 
iwtnw(t)plc(a)g(t)d(a)bmucsmd

DETECTIVE STONE: It takes a little time, Miss Morris.  itks(a)lttm msmrs
  I have other cases I'm working on too.  ihvotcs(im)wk(o)t
TONY: We don't have a little time,  wdhv(a)lttm
  Detective Stone! st(c)tv st
STEVEN: Cut. Jeff, the line is,  c jf tln(i)s
    "We don't have much time,  wdh(v)m(c)tm
  Detective Stone!". . .  dttvst
  Take it from the top.  tk(i)ftt
  Jeff, concentrate.  jf cctt
DETECTIVE STONE: It takes a little time, Miss Morris.  itks(a)lttm msmrs
  I have other cases I'm working on too.  ih(v)otcc(im)wk(o)t
TONY: We don't have much time,  wdhvmctm
    Detective Stone. dttvst
STEVEN: Cut.  c
TONY: We don't have much time,  wdhvmctm
  Detective Stone.  dt(c)tvst
STEVEN: Cut. It's not right. . .  c itnr
  Can I hear the line again, please?  cn(i)htln(a)g pls
JEFF: I don't think I can say it again.  idtk(i)cs(i)t(a)g
  This is the tenth time already.  tsistttmard
STEVEN: Try.  t
TONY: We don't have much time!  wd(t)hvmctm
STEVEN: Can you do it one more time?  cn(y)d(i)omtm
JEFF/TONY: We don't have much time.  wdhvmctm
  We don't have much time.  wdhvmctm
  We don't have much time!  wdhvmctm
STEVEN: Great! g
    OK. That's all.  ok ts(a)
    Thank you very much.  tk(y)vrmc
LINDA: We don't have much time.  wdhvmctm
STEVEN: Don't worry, Linda.  dwr ld
  These things happen.  tst(s)hp
  Jeff is OK.  jf(i)sok
  I have an idea.  ihv(a)n(i)d
  Don't worry about a thing. dwr(a)bt(a)t

这些天只是埋头练习，今天看了看老师14号发的帖子，很有帮助，得好好体会。
练习一段时间后是要总结一下，才能对以后的练习效果有提高。李老师就很善于总结，得好好向她学习。