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压码听懂训练总汇(初次压码注音标准答案待修改)

级别: 管理员
只看该作者 180 发表于: 2008-11-08
自然消化吸收英语,必须要消化吸收语音,语音要先行,前几天有一位学员问怎样消音?我说汉语阅读你可以消音提高速度,那时你已经理解的前提下的阅读,英语你不能理解的情况下是不能消音阅读的。语音不但不能消,而且要听的精细、准确,而且要到位,语音要精确到位到文本,压码注音练习,就是语音到位到文本的字母上,注音的字母有细微的变化和不同,就代表听到的语音的细微区别。消化吸收要磨练语音到磁带的、文本的语音一致。先烙印到你的大脑。
级别: 管理员
只看该作者 181 发表于: 2008-11-08
课文前后都是连贯的,有大量自然的重复,只要消化吸收了语音到文本,文本到语音,而者结合就自然理解了。记住语音、文本就可以理解语音。
一篇文章的题目就是一个基本句式,通过内部的练习结构消化吸收了,不同课文之间的反复不断深化练习,就逐步掌握了。理解的可以通过自己的语言说出来写出来。不同课文之间通过句子和单词串联起来,就容易形成一个整体理解记忆。所以你可以不管遗忘。
级别: 管理员
只看该作者 182 发表于: 2008-11-08
记住语音、文本,理解了意思,就可以说,这里往往一个句子可以进行任意变换,可以说是层层加码,层层压码,层层拓展,一压缩就是一个句子,一扩展就是一篇文章,这样只要理解了,就可以任意地说了,说一个句子就可以通过不同形式来表达相同的意思,可以有不同说法,你将一种表达方式的语音记忆准确,因为压码注音是各个句子的连续读音,精确注音将不能消化吸收意思的内容先消化了语音,主要按照顺序就可以全面注音完毕,就可以学习到所有的表达方式,凡是注音不够精细地方主要进行检查就可以纠正,慢慢细化到句子的字母精确到语音,就完全消化吸收了语音,也同样消化吸收了文本。
级别: 管理员
只看该作者 183 发表于: 2008-11-08
我们理解了文本如果进行翻译可以说明你已经理解,如果不反以怎样说明理解了?你可以自己进行复述课文,看着课文你只要整理出来一些句子就可以自己按照线索进行口语练习,你也可以将理解的意思用英语写下来。这里有一个问题,就是会说的不一定会写,可能有一些单词写的不对,出现错误,但是你逐步在整理课文中会感觉可以修改改错了,这实际上也在练习着听写,看着文本写自己理解的课文,就会慢慢熟练进行写作练习了。
级别: 管理员
只看该作者 184 发表于: 2008-11-08
一些学员会感觉练习不容易理解的内容还容易忘记,实际上是消化吸收还不够,理解的不会应用,这是因为各种变幻应用的还不够,因为课文就是将各种句子变换反复进行拓展,里面本身就隐藏着反复不同侧面的复习了,因为如果需要你进行记忆全文很容易忘记,但是你只要对每篇课文句子消化吸收了,每篇课文用讲解理解的句子进行整理,就可以慢慢全部建立起来联系,用课文题目的句子就可以联系起来,你就不会感觉自己只是学会了一些干瘪句子,而是活灵活现的句子内容,课文之间就可以进行任意组合了。
级别: 管理员
只看该作者 185 发表于: 2008-11-08
理解的句子还不能长久记忆应用,你可以自己通过说来实现语音记忆,只要可以不同变换句子,就学会了不单是理解而且可以应用,文本听写了还可以忘记,不是忘记单词的拼写,而是忘记了语音的拼写,是语音不记忆不住造成的,所以继续整理文本注音文本就可以解决语音记忆不准确的部分。
    如果学要快速练习,只要将已经理解的课文连续练习当作若干磁带来听都是已经理解的语音,就可以快速复习到练习内容。已经练习的内容,一天就可以大面积回忆出来。关键是完整准确地细化吸收就可以了,你没有了遗忘的后顾之忧。
级别: 管理员
只看该作者 186 发表于: 2008-11-08
归纳一下:
  不能自然消化吸收英语是因为不能听清到文本具体的字母,压码注音即可解决。
    不能理解是因为语音和文本没有结合,听着语音可以听出文本和课文一样,看着文本可以看出语音盒磁带一样,记住了语音文本对应关系,就不会出现看着文本可以理解而听着语音不能理解的现象了。
    理解的语音不能记住来应用,那是记忆不细腻准确造成的,只要自己大声朗读就可以通过耳朵和口同步加强记忆了。
    理解的不能写准确单词,主要自己大胆看着文本利用英语解释理解的英语打字出来就可以解决了。手写的不能很好地保存就可以通过英文打字听写来进行。
    听写很容易感觉疲劳,你就可以通过整理文本来加强练习,通过压码注音来加深所有课文的精确文本和语音对应关系的理解记忆来解决。
   
 
级别: 管理员
只看该作者 187 发表于: 2008-11-08
语音、文本和意思是一个完整的整体,听说读写都可以听过压码听懂实现。很多学员感觉练习很多,实际上都是一样的练习,压码听清就是压码注音,压码注音就是压码听懂,压码听懂就是压码听清。都是音、形、意直接的消化吸收的结合。练习以后一篇文章成为一个压码的整体。
    有人要削文,有人要削音,有人要削意,这都不是科学的态度。要提速就要削音没有或者不管语音怎样读的英语还是英语吗,你还可以听懂别人的语音,你说的语音别人能够听懂吗?要速读不是一个为了速度而速度的速读,你即使练习到每分钟5万的速度不能精确理解记忆变成自己的英语也是没有用的。压码法的速度已经足够快了,因为如果你需要快速听懂可以变速到400%,已经是每分钟600多的速度,谁会说的比这个还要快呢?你要慢20%速度练习压码注音业足够精细了,谁还会说得比这个更模糊的。有了压码注音即使有更模糊的语音,已经可以通过自然校正体系消化吸收了。
    音不能消,文也不能消,为了语音就不看文本是不可能将于因精细到压码注音的程度的。
    意更不能削,练习英语连理解都不能做到,还能做到什么呢,不能理解就会说、就会写,而且都是正确的,是不可理解的。
 
   
级别: 管理员
只看该作者 188 发表于: 2008-11-09
第九课课文注音:

4.9T

Lesson9 Jeff, be as calm as you can.  lsn,jf,be(a)scmasyc

SCENE ONE: STUDIO-THE MUSEUM OFFICE SET

MARY BETH: Are you ready?    ayrd
JEFF: Yeah. I'm as ready as I can be for the first day of rehearsal.    y,im(a)srdy(a)s(i)cbftfsdy(o)frhs
MARY BETH: Come on.    smo
    Steven's easy to work with.    stvsestwkwt
MARY BETH: Hi, Steven. . .    h,stv
    Hi, Steven.    h,stv
STEVEN: Oh, hi.    o,h
    How are you two this morning?    hw(a)yttsmn
MARY BETH: Fine.    f
STEVEN: By the way,    btw
    is this yours?    istsys
MARY BETH: No. It's not mine.    n,itntm
STEVEN: Then whose is it?    twsist
JEFF: It has coffee on it.    ithscfe(o)nt
    It's probably Charles's.    itpbblclss
MARY BETH: That's his.    tths
STEVEN: OK, I'll give that to him when we're done here.    ok,ilgvtthmwwrdh
    Why don't we start with page forty-eight?    wdwsttwtpgfty(e)(t)
STEVEN: In this scene,    itscn 
    Tony and Diana are at the museum.        tny(a)dnine(a)tmsum
    It's late at night.  itlte(a)nt
    I want you to stop outside the door and then walk into the office. OK?    iwt(y)tstpotsdtdatwk(i)tte(o)fc,ok
JEFF: Sure.  s
MARY BETH: Hello?    hl
    Is anyone here?    is(a)nyoh
JEFF: Maybe he went home.    mbhwthm
DIANA: And left the lights on?    alftlt(o)
  You know he never wastes a penny.    ykhnvws(a)pn
TONY: Maybe he went home, Diana.    mbhwth,dn
    Maybe he left a note for you.    mbhlft(a)ntfy
STEVEN: No, no, Jeff. I want you to try something different.    n,n,jf,iwt(y)tstdft
JEFF: OK.    ok
STEVEN: Start with your line.    stwtyl
DIANA: And left the lights on?    alftlt(o)
    You know he never wastes a penny.    ykhnvwt(a)pn
TONY: Maybe he went home, Diana.    mbhwthm,din
    Maybe he left a note for you -    mbhldt(a)ntfy
STEVEN: No, Jeff. Don't be as serious as that. OK?  n,jf,db(a)srus(a)tt,ok
JEFF: Right. Got it.    rt,gtt
STEVEN: Start with your line.    stwtyrl
TONY: And left the lights on?    alftlt(o)
MARY BETH/DIANA: Wait a minute, Jeff.    wt(a)mn,jf
    That's not your line. It's mine.    ttntyl,itm
    And left the lights on?      a(d)l(f)tlt(o)
    You know he never wastes a penny.  ykhnvwrs(a)pn
TONY: Maybe he went home, Diana.    mbhwthm,dn
    Maybe he left a note-    mbhlft(a)nt
STEVEN: No. No. No.    n,n,n
    Jeff, your reaction is different from Diana's.    jf,yractn(i)sdftfdns
    You should be calmer than Diana.    ysbcmtdn
    You're not as worried as she is.    yrnt(a)wrd(a)ssis
JEFF: What is it?    wts
STEVEN: Look, Jeff, be as calm as you can.    lk,jf,be(a)scm(a)syc
MARY BETH: Steven, just a thought.    stvmjst(a)tt
  If Diana is worried,      ifdniswrd
  doesn't she want some reassurance from Tony?    dstswtmtsrcftn
JEFF: Let me try that.    lmttt
STEVEN: OK, fine. Anything.    ok,f,ant
DIANA: And left the lights on?      al(f)tlt(o)
    You know he never wastes a penny.    ykhnvwst(a)pn
TONY: Maybe he went home, Diana.    mbhwthm,dan
    Maybe he left a note for you.    mbhlft(a)ntfy
STEVEN: Good, good.  gd,gd
    Keep going.    kpgi
TONY: Why don't we try to call him at home?    wdtwttcm(a)th
DIANA: wow!    wo
TONY: What is it?!    wtst
DIANA/MARY BETH: It's. . . It's. . . It's the end of my page.    it,it,itten(o)fmpg
级别: 管理员
只看该作者 189 发表于: 2008-11-09
第九课练习注音:

4.9L

BOOK FOUR LESSON NINE

N: Lesson Nine.  lsn
    Listen and repeat.  lsarpt
F: calm          cm
    as calm as      ascmas
    not as calm as    nt(a)scm(a)s
M: nervous    nvs
    as nervous as    asnvs(a)s
    Not as nervous as    nt(a)snvs(a)s
N: listen to this conversation between two people,    lsttscvstbtetpp
    one who is calm and one who is nervous…    owiscmaowo(i)snvs
    very nervous.    vrnvs
M: Please, Jane.    pls,jn
    Tell the secret!        ttsct
F: My secret? What secret?    msct,wtsct
    Jack, what are you talking about?    jc,wt(a)ytkn(a)bt
M: Tell me why you’re always calm.  tmwyrawscm
    I’m never calm.    imnvcm
    But someday I hope to be as calm as you are.        btsmdy(i)hptbe(a)cm(a)sy(a)
F: As calm as I am?    ascm(a)s(i)am
    Oh, Jack, I'm not as calm as a lot of people.  o,jk,imnt(a)scm(a)s(a)lt(o)fpp
    And sometimes I get very nervous.    admtms(i)gtvrnvs
M: You nervous?    ynvs
    Well, you're not as nervous as I am now.    w,ytnt(a)snvs(a)siamn
    And you're never as nervous as I am,      adyrnvr(a)snvs(a)s(i)am
    all the time.    attm
F: Oh, Jack. Really!  o,jc,rl
N: Now say if these sentences are true or false.    nsiftsstcsatuofls
    If the sentence is false,    iftstcisfls
    give the correct answer.      gvtcr(c)t(a)s
    Jack thinks Jane is very nervous.  jctksjnisvrnvs
F: False. Jack thinks Jane is very calm.    fls,jctksjn(i)svrcm
N: Someday he hopes to be as nervous as she is.    s(m)dhhpstbe(a)snvsasis
M: False. Someday he hopes to be as calm as she is.    fls,s(m)dhhpstbe(a)scm(a)sis
N: Jane says she is not as calm as some people.    jnssisnt(a)scm(a)smpp
F: True.    tu
N: She says sometimes she gets very calm.    sssmtmsgtvrcm
M: False. She says sometimes she gets very nervous.    fls,sssmtmsgtvrnvs
N: Jack says, "You're not as calm as I am now."      jcss,yrnt(a)scm(a)s(i)amn
F: False. Jack says,    fls,jcss
    "You're not as nervous as I am now."    yrnt(a)snvsas(i)amn
N: He says Jane is never as nervous as he is, all the time.    hssjnisnvrasnvsashis, attm
M: True.  tu
N: Now, do you remember the difference between the question word whose,    n,dyrmbtdtcbtetqstwdws
    spelled w-h-o-s-e, and the question word who s,    spld,whose,atqstwdw o(s)
    spelled w-h-o apostrophe s?    spld,who apstpe(s)
    They both have the same  pronunciation,  tbt(h)vtsmpnci(a)t
    whose - who s,      ws,ws
    but the spelling is different.    btsplisdft
    Also, w-h-o-s-e is used in front of a noun,    as,whose,isusd(i)ft(o)f(a)n
    like whose book or whose initials.    lkwsbk(o)wsints
    W-h-o apostrophe s means "who is." Who s the boss?    who,aprp e(s) ms wis,wstbs
    Means "Who is the boss?"    ms,wistbs
    Now you're going to hear some sentences which start with either  w-h-o-s-e or w-h-o apostrophe s.    nyrgithsmstcswcwtet,whose,o who aptpe(s)
    after each question,    aftecqst
    spell the question word.    sptqstwd
    Then you will hear the correct spelling.    tywhtcrctspl
    For example,    fexapl
    you hear, "Who's the reporter in 'Murder at Midnight'?"  yh,wstrpti,mdr(a)mdnt
    And you say:  adys
F: W-h-o apostrophe s.    who,apstpe(s)
N: Then you will hear the correct spelling:    tn(y)whtcrctspl
F: W-h-o apostrophe s.    who,apstpe(s)
N: Ready? Let's begin.    rd,ltbg
    Who's the reporter in "Murder at Midnight"?    wstrpti,mdr(a)tmdnt
F: W-h-o apostrophe s.    who,apstpe(s)
N: Whose baby is six months old?  wsbbissxmt(o)d
F: W-h-o-s-e.        whose
N: Whose apartment is on Eighth Street?        wsaptmtis(o)etstt
F: W-h-o-s-e.        whose
N: Who's the star of "Murder at Midnight"?    wststof, mdatmdnt
F: W-h-o apostrophe s.    who,apstpe(s)
N: Who's going to Stamford tomorrow?    wsgitstftmr
F: W-h-o apostrophe s.    who,apstpe(s)
N: Whose hair is very short?    wshr(i)svrst
F: W-h-o-s-e.      whose
N: Did you notice that when you say some sentences,    dd(y)ntctwn(y)ss(m)stcs
    your voice goes down at the end?    yvicgtdn(a)te(e)d
    This is called "falling intonation."    tsscd,flitnt
    For example,    fexapl
    at the end of a statement:      ate(e)d(o)f(a)sttmt
M: Maybe he went home.    mbhwth(m)
N: or at the end of a question that you can't answer with only "Yes" or "No":      or(a)te(a)d(o)f(a)qstt(y)ct(a)swt(o)lyson
F: Whose is it?  wsst
N: But when you can answer a question with "Yes" or "No,"    btwn(y)cas(a)qstwtyson
    the voice goes up at the end.    tvicgs(u)pated
    This is called "rising intonation."    tsscdtsn(i)tnt
    For example:      fexapl
M: Is anyone here?  is(a)noh
N: Listen and repeat the following sentences.    lsarptflwstcs
    Imitate the voice you hear.    imttvicyh
    If it goes up at the end,  iftgsup(a)ted
    make your voice go up.    mkyrvicgo(u)p
    If the voice you hear goes down,  iftvicgsd
    make your voice go down.    mkyrvicgd
    Ready? Let's begin.      rd,ltbg
M: oh, hi.      o,h
    How are you this morning?    hw(a)ytsmn
F: I'm fine. How are you?  imf,hw(a)y
M: By the way, is this script yours?    btw,istscpys
F: No. It isn't mine.  n,o(i)t(i)smi
M: Then whose is it?  twsst
F: It has coffee on it.  ithscfe(o)nt
    It's probably Charles's.  itpbblclss
M: Yes, you're right.    ys,yrrt
N: Now listen to another dialogue.    nlsto(a)ntdlg
    Just listen.  jstls
RITA: Tell me something, Mary Beth.    tmst,n(m)rbt
    Was Jeff  late again for rehearsal?    wsjflte(a)gfrhs
MARY BETH: No, he wasn't.    n,hwst
      By the way, Rita,    btw,rt
      what's your reaction to Jeff?    wt(y)rcttjf
      Is he too nervous to be a good actor?    ithtnvstbe(a)gdact
RITA: I don't think so.    idtks
    He's very young.      hsvry
    And very nervous.    avynvs
    He needs  more reassurance from you older actors.    hndmrsrcfm(y)odr(a)cts
MARY BETH: Rita! Jeff and I are almost the same age.    tr,jf(a)d(i)aamstsme(a)g
      Do I look like I should be in a museum?    d(i)lk(i)sb(i)n(a)msum
N: Now listen to this dialogue again.    nlsttsdlge(a)g
    After each phrase,    aftecprs
    there's going to be a pause.    tsgitbe(a)ps
    During the pause,    drtps
    say "Rising" if the voice you heard went up.    s,rs,iftvicyhdwt(u)p
    But if the voice you heard went down,    btiftvic(y)hwd
    say"Falling."    sfl
    For example,    fexapl
    you hear:  yh
RITA: Tell me something, Mary Beth.    tmst,mrbt
N: And you say:  adys
M: Falling.      fl
N: Ready? Let's begin.  rd,ltbg
RITA:Tell me something, Mary Beth.    tmst,mr(b)t
M: Falling.      fl
RITA: Was Jeff late again for rehearsal?  wsjflt(a)grhs
M: Rising.      rs
MARY BETH: No, he wasn't.    n,hwst
M: Falling.      fl
MARY BETH: By the way, Rita,    btwmrt
M: Falling.      fl
MARY BETH: what's your reaction to Jeff?  wtyrracttjf
M: Falling.      fl
MARY BETH: Is he too nervous to be a good actor?    ishtnvstbe(a)gdact
M: Rising.      rs
RITA: I don't think so.    idtks
M: Falling.      fl
RITA: He's very young.  hsvry
M: Falling.      fl
RITA: And very nervous.  avrnvs
M: Falling.      fl
RITA: He needs more reassurance from you older actors.    hndmrsrcfm(y)u(o)dr(a)cts
M: Falling.      fl
MARY BETH: Rita!    rt
M: Falling.      fln
MARY BETH: Jeff and I are almost the same age.    jf(a)d(i)aamstsmag
M: Falling.          fl
MARY BETH: Do I look like I should be in a museum?    do(i)lklk(i)sb(i)n(a)msum
M: Rising.      rs
N: To end this lesson,    ro(e)dtsls
    listen one  more time to that dialogue.    lsomtmtttdlg
    This time, repeat what you hear.    tstm,rptwt(y)h
    Follow the intonation of the speaker's voice.    flwtitntn(o)ftspksvic

175   

    either up or down.    etr(u)pod
    Ready? Begin.  rd,bg
RITA: Tell me something, Mary Beth.    tmst,n(m)rbt
    Was Jeff late again for rehearsal?    wsjflt(a)gfrhs
MARY BETH: No, he wasn't.  n,hwst
    By the way, Rita,    btw,rt
    What’s your reaction to Jeff?    wt(y)racttjf
    Is he too nervous to be a good actor?    ishtnvstbe(a)gdact
RITA: I don't think so.  idtks
    He's very young.    hsvry
    And very nervous.    avtnvs
    He needs more reassurance        hndm rsrc
    from you older actors.    fm(y)u(o)dacts
MARY BETH: Rita! Jeff and I are almost the same age.    rt,jf(a)d(i)a(a)mstsmeag
    Do I look like I should be in a museum?  d(i)lklk(i)sb(i)n(a)msum
N: And, this, Sam, is the end of Lesson Nine.  a,ys,sm,iste(e)d(o)flsn

  原文多余一段的错误注音时已经删除修改。
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