victorlee压码日记

今天练习了两课如下：

PART
LESSON 8 SHE'S AS BEAUTIFUL AS HER MOTHER.         Lset(8),sssbtfashmt

SCENE ONE: THE MAKEUP ROOM
MARY BETH: Where's Rita?                wsrt
JEFF: She'll be back in a minute.            slbbcimnt
MARY BETH: You look happy today.            ylkhptd
JEFF: I found an apartment.                ifdaptmt
MARY BETH: Great! How far is it from the studio?    Gt,hfisitftstd
JEFF: It's about a mile from here.            itabtmlfh4
    On Eighth Street.                    oetstr
MARY BETH: Good. How many rooms?            Gd,hmnrs
JEFF: A bedroom,                    (a)bdr
    a kitchen,                        akc
    and a living room with a terrace?            alvrwttrc
MARY BETH: Uh-huh. Did you get a good price?        Uh,dd(y)gtgdprc
JEFF: Yes. Rents just aren't as high as in New York.    ys,rtjstashasinyk
    Oh, and it's very convenient.            o,aitvrcvnt
  There's a garage underneath the building.        tsgrudnttbld
MARY BETH: Hmm. That's different from ours.        H,ttdfrtfos
  We have a parking lot.                whvpkl
  But at least it's right outside our door.        batlsitrtotsdod
  Well, congratulations.                W,cgtlt
  It sounds nice.                    itsdnc
JEFF: Thanks.                        tks
RITA: Congratulations?                    cgtlts
    Did I miss something?                dimssmt
MARY BETH: Jeff found an apartment.            jffaptmt
RITA: Really! Good for you!                Rl,gdfy
  Tell me all about it.                    tlmaabtit
JEFF: Well, it's a one-bedroom. . .            wl,itobdr
RITA: Where is it?                    wisit
JEFF: It's on Eighth Street.                itoetstrt
RITA: That's the same street as mine!            tttsmstrasmn
  Looks like we're going to be neighbors.        lklkwrgtbnbs
  What's the address?                    wttadrs
JEFF: Three twenty-one Eighth.                trwtowt
RITA: That's my address!                ttmadrs
  We live in the same building!                wlvitsmbld
  Oh, that's wonderful!                    O,ttwdf
  Is your apartment the same size as mine?        isyaptmttsmszasmn
JEFF: Well, it's a one-bedroom. . .            wl,itobdr
RITA: Oh, you have to come over for dinner!        O,yhvtcmovfdn
  What apartment are you in?                wptmtayi
JEFF: Four-B.                        fb
RITA: Well, that's a different floor from mine,        w,ttdfrtffmn
    but-oh, we're going to be such good neighbors!    Bt,o,wrgtbscgnbs
JEFF: Yeah.                        y
RITA: I moved there ten years ago.            imvttysag
  I think I moved in the year I came to WEFL. . .    itkimvityivmtwefl
  Oh, say, are those pictures of your new baby?        o,s,atspcrsoynbb
MARY BETH: What? These?                    W,ts
  Uh, yeah.                        U,y
  And my three-year-old son.                amtryos
RITA: Oh, good.                        O,gd
  Can I see them?                    cist
MARY BETH: Oh, you saw these already.            O,ystsard
RITA: No, no, no!                    n,n,n
MARY BETH: They're just old ones.            trjstoos
RITA: Give them to me.                    gvttm
RITA: Oh, just look at those eyes!            O,jstlkatdes
  She's certainly different from your first baby.    ssctldfrtfyfstbb
  Your first baby wasn't as healthy as this one. . .    yfstbbwsshltastso
    But look at him now!                blkahmn
JEFF: Look at the expression on her face.        lkatexprsohfc
  She looks like her mother.                slklkhmt
RITA: Yes. A beautiful baby.                Ys,btfbb
  She's as beautiful as her mother.            sssbtfashmt

PART 4
Lesson09 Jeff, be as calm as you can.             Lsn(9),jf,bscmasyc

SCENE ONE: STUDIO-THE MUSEUM OFFICE SET
MARY BETH: Are you ready?                ayrd
JEFF: Yeah. I'm as ready as I can be for the first day of rehearsal.    Y,imsrdasicbftfstdorhs
MARY BETH: Come on.                    co
  Steven's easy to work with.                stvsestwkwt
MARY BETH: Hi, Steven. . .                h,stv
    Hi, Steven.                        H,stv
STEVEN: Oh, hi.                        O,h
    How are you two this morning?            hayttsmn
MARY BETH: Fine.                    f
STEVEN: By the way,                    btw
  is this yours?                    istsys
MARY BETH: No. It's not mine.                N,itnmn
STEVEN: Then whose is it?                thsisit
JEFF: It has coffee on it.                ithscfoit
  It's probably Charles's.                itpbbcls
MARY BETH: That's his.                    tths   
STEVEN: OK, I'll give that to him when we're done here.    Ok,ilgvtthmwwrdh
  Why don't we start with page forty-eight?        wdwstwtpgftet
STEVEN: In this scene,                    itss
  Tony and Diana are at the museum.            tnadnaatms
  It's late at night.                    itltant
  I want you to stop outside the door and then walk into the office. OK?    Iwtstpotsdtdatwlkittofc,ok
JEFF: Sure.                        s
MARY BETH: Hello?                    hl
    Is anyone here?                    isanoh
JEFF: Maybe he went home.                mbhwthm
DIANA: And left the lights on?                alfttlto
  You know he never wastes a penny.            Y(k)nhnvwstpn
TONY: Maybe he went home, Diana.            Mbhwthm,dn
    Maybe he left a note for you.            mbhlftntfy
STEVEN: No, no, Jeff. I want you to try something different.    N,n,jf,wtyttrsmtdfrt
JEFF: OK.                        ok
STEVEN: Start with your line.                stwtyl
DIANA: And left the lights on?                alftlto
  You know he never wastes a penny.            Y(k)ntnvwstpn
TONY: Maybe he went home, Diana.            Mbhwthm,dn
  Maybe he left a note for you -            mbhlftntfy
STEVEN: No, Jeff. Don't be as serious as that. OK?    N,jf,dbssrsastok
JEFF: Right. Got it.                    Rt,gtit
STEVEN: Start with your line.                stwtyl
TONY: And left the lights on?                alfttlto
MARY BETH/DIANA: Wait a minute, Jeff.            wtmn,jf
  That's not your line. It's mine.            Ttnyl,itmn
    And left the lights on?                alfttlto
    You know he never wastes a penny.            Y(k)nhnvwstpn
TONY: Maybe he went home, Diana.            Mbhwthm,dn
  Maybe he left a note-                    mbhlftnt
STEVEN: No. No. No.                    n,n,n
    Jeff, your reaction is different from Diana's.    jf,yratisfrtfdns
    You should be calmer than Diana.            ysdbcmtdn
    You're not as worried as she is.            yrnaswrassis
JEFF: What is it?                    wisit
STEVEN: Look, Jeff, be as calm as you can.        Lk,jf,bscasyc
MARY BETH: Steven, just a thought.            Stv,jstt
  If Diana is worried,                    idniswr
  doesn't she want some reassurance from Tony?        dsswtsmrsrcftn
JEFF: Let me try that.                    ltmtrt
STEVEN: OK, fine. Anything.                Ok,f,ant
DIANA: And left the lights on?                alfttlto
    You know he never wastes a penny.            Y(k)nhnvwstpn
TONY: Maybe he went home, Diana.            Mbhwthm,dn
    Maybe he left a note for you.            mbhlftntfy
STEVEN: Good, good.                    Gd,gd
    Keep going.                        kpg
TONY: Why don't we try to call him at home?        wdwtrtclhmahm
DIANA: wow!                        w
TONY: What is it?!                    wtisit
DIANA/MARY BETH: It's. . . It's. . . It's the end of my page.    It,it,itteompg

今天晚上和同学出去吃完饭，回来就急急忙忙的练习了两课，效果不太好。两课如下：

PART 4
Lesson 10 Do you know how my name is spelled?        lst(10),dy(k)nhmnmisspl

SCENE ONE: THE MUSEUM OFFICE
TONY: A little closer, Mr. Morris. . .            altcls,m,mrs
    Hold that smile, Mr. Tate.                hdtsml,m,tt
    Got it. Thank you, gentlemen.            Grit,tk,gtm
    And welcome to Stamford, Mr. Tate.            Awlctstf,mtt
  I wish you the best in your new job.            iwsytbstiynjb
PHILIP: Thank you so much.                tksmc
BEN: I'm glad that's over.                imgldttov
TONY: I need a quote from each of you for the newspaper article.    inqtfecoyftnsppatc
BEN: We're proud to have Philip Tate join our museum.    wrpdthvplpttjoms
PHILIP: And I'm proud to be working for Ben Morris,    aimpdtbwkfbmrs
    the leading expert on Stamford history. . .        tldexptostfhstr
    Do you know how my name is spelled?            Dy(k)nhmnmisspl
TONY: P-h-i-l-l-i-p T-a-t-e.                phillip,tate
PHILIP: Philip is spelled with one l.            plpissplwtoi
TONY: Oh, right.                    O,rt
  You know, I'd like to get another photo.        Y(k)n,idlktgtantpt
BEN: It's your money.                    itymn
PHILIP: Why don't we show Mr. Hunter an Indian object?    Wdwsm,htidobjct
TONY: That's beautiful. . .                ttbtf
  What's it made of?                    wtitmdo
PHILIP: It's made of leather.                itmdolt
  Most Indian pouches are made of leather.        mstidpcsamdolt
TONY: What's it used for?                wtitusf
PHILIP: It's used for tobacco.                itusftbc
    Of course,                        ocs
    there isn't any tobacco in there now.        tisantbcitn
  It's two hundred years old.                itthdryso
BEN: We can use this.                    wcusts
TONY: What is it?                    wisit
BEN: This is the Stamford Treaty,            tsiststmftrt
  the most important item in the Morris Museum.        tmstipttitmitmrsms
TONY: How old is it?                    hoisit
BEN: Look here.                        lkh
  It's dated 1640,                    itdtsxtft
    and it's signed by two great Indians.        aitsnbtgtid
    All the big museums would like to own this,        atbgmswdlktots
    but it's going to stay right here at the Morris Museum in Stamford. . .    bitgtstrthatmrsmsistmf
    It's worth a fortune.                itwtft
TONY: It's your museum, Mr. Morris,            ityms,m,mrs
    so why don't you sit at the desk?            swdystatdsk
  And Mr. Tate,                        am,tt
  why don't you look over Mr. Morris's shoulder?    Wdylkovm,mrssd
PHILIP: Like this?                    lkts
TONY: That's fine. . .                    ttf
    Mr. Morris,                        m,mrs
  a pleasant look, please?                Plslk,pls
  Thank you. . .                    tk
  That's it.                        ttit
    You'll see the story in Friday's paper.        ylststrifdspp
PHILIP: I look forward to seeing it.            ilkfwdtsit
DIANA: Uncle Ben?                    ucb
    The carpenters want to talk to you about the new room.    tcptwtttlktyabttnr
BEN: Oh, good.                        ogd
    Philip, why don't you come with me?            Plp,wdycmwtm
PHILIP: So good to meet you, Mr. Hunter.        Sgdtmt(y),m,ht
TONY: Thank you.                    tk
TONY: They don't get along, do they?            Tdgal,dt
DIANA: And Mr. Tate started to work here only three weeks ago.    Am,ttstttwkholtrwksag
TONY: I hate to say it, Diana,                ihttsit,dn
    but your uncle does have a difficult personality.    byucdshvdfcltpsnlt
DIANA: Oh, sometimes he blows up at people,        o,smtshblsuapp
  but he doesn't really mean it.            bhdsrlmit
  You know, Uncle Ben started this museum.        Y(k)n,uvbstttsms
    Now he's sitting pretty,                nhsstprt
  and he has the money to hire Mr. Tate.        Ahhstmnthm,tt
    I think that's good news.                itkttgdns
TONY: I'm not so sure.                    imnss

PART 4
Lesson 11 It was given to me over forty years ago.    Lselv(11),itwsgvtmovftysag

SCENE ONE: THE MUSEUM OFFICE   
BEN: I tell you it isn't right.                itlyitisrt
PHILIP: Now, Ben,                    n,b
  I don't see any problem with this.            idsanpbwtts
BEN: It was changed.                    iwscg
PHILIP: Changed? How?                    Cgd,h
BEN: It was given to me over forty years ago.        itwsgvtmovftysag
  I know it like the back of my hand.            I(k)nitlktbcomhd
  It was signed with a different mark.            itwssnwtdfrtmk
PHILIP: Now, Ben, relax.                N,bmrlx
BEN: Something's wrong here, Philip,            smts(w)rh,plp
  and I'm going to find out what it is!            aimgtfowtitis
BEN: Hello?. . . Yes. . .                hl.ys
  All right,                        art
  I'll be right down.                    itbrtd   
SCENE TWO: DIANA'S LIVING ROOM
TONY: It doesn't sound odd to me.            itdssotm
DIANA: My uncle was in a very strange mood.        mucwsivrstgm
    Oh, I know Uncle Ben is difficult to get along with.    O,i(k)nucbiddfcttgtalwt
    But I have a bad feeling about that argument this afternoon.    bihvbdflabttagmttsaftn
    I wonder what it was about.                iwdwtwsabt
TONY: Diana, don't worry about it.            Dn,dwrabtit
    Look, it's late.                    Lk,itlt
  I have to go.                        ihvtg
  Are we still going to get together Saturday?        awstlgttgtstd
DIANA: Yes.                        ys
DIANA: Hello?                        hl
BEN: Diana, I have to talk to you.            Dn,ihvtlkty
DIANA: Uncle Ben?                    ucb
  What is it?                        wisit
BEN: I have to show someone.                ihvtssmo
  I know you'll understand.                I(k)nyludst
DIANA: Show me what?                    smw
  What's going on?                    wtgo
BEN: Just get over here right away.            jstgovhrtaw
    I'm at the museum.                    imatms
DIANA: But Uncle Ben. . .                bucb
BEN: I have proof!                    ihvprf
TONY: What was that all about?                wwstaabt
DIANA: It's Uncle Ben.                    itucb
  He wants me to go over to the museum.            hwtmtgovttms
TONY: Now? It's almost midnight.            N,itamstmn
DIANA: He was really upset.                hwsrlupst
  I have to go.                        ihvtg
TONY: I'm going with you.                imgwty
SCENE THREE: THE MUSEUM OFFICE
DIANA: Hello? Is anyone here?                Hl,isanoh
TONY: Maybe he went home.                mbhwthm
DIANA: And left the lights on?                alfttlto
  You know he never wastes a penny.            Y(k)nhnvwstpn
TONY: Maybe he went home, Diana.            Mbhwthm,dn
    Maybe he left a note for you. . .            mbhlftntfy
  Why don't we try to call him at home?            wdwtrtchmahm
TONY: What is it?                    wisit
DIANA: Uncle Ben!. . .                    ucb
  Is he dead?                        ishdd
TONY: I'll call an ambulance.                ilcablc
OPERATOR: Emergency.                    emgc
TONY: Yes. I want to report an accident.        Ys,iwttrptacdt
OPERATOR: What kind of accident, sir?            wkoaccdt
TONY: A man was injured.                amwsij
OPERATOR: Where are you?                way
TONY: I'm at the Morris Museum at 1406 Bedford Street.    imatmrsmsaftzsxbdfstr
DIANA: Oh, Tony,                    o,tn
  I think he's dead.                    itkhsdd
TONY: It looks like he was hit on the head.        ilklkhwshtothd

PART 4部分今天结束了，开始PART 5了。虽然还是不能听懂录音，但是整个听英语的过程没有以前那么吃力。今天听了两课，如下：

PART 4
Lesson12 Was anything stolen from this room?        Lstlv(12),wsantstlftsr

SCENE ONE: THE MUSEUM OFFICE
DETECTIVE STONE: So, you say the outside door was closed when you got here?s,ystotsddwscswygth
TONY: That's right.                    ttrt
DETECTIVE STONE: And this window was closed?        atswdwscls
TONY: Yes.                        ys
DETECTIVE STONE: Then how did you get in?        thdd(y)gti
  The museum was locked up hours ago.            tmswslcuhsag
DIANA: I was given an extra key when I started working here.    iwsgvaextkwistwkh
DETECTIVE STONE: Who else was given a key?        helswsgv
DIANA: Well. . .                    w
  there's Lisa, the secretary. . .            ttls,tscrt
  And Mr. Tate, of course.                Amtt,occ
DETECTIVE STONE: Yes, I called him.            Ys,ich
  You can go now.                    ycgn
  I'll call you if I need any more information.        icyiinanmifmt
DIANA: Are you going to catch the person who did this, Detective?    Aygtcctpshdts,dtctv
    My uncle was a good man.                mucwsgdm
DETECTIVE STONE: Believe me, Miss Morris,        blvm,msmrs
    I'm going to do everything I can.            imgtdevrtic
TONY: Come on, Diana.                    Co,dn
DETECTIVE STONE: You are. . . ?                ya
PHILIP: Philip Tate.                    plptt
DETECTIVE STONE: Thank you for coming at this late hour, Mr. Tate.    Tkfcatslth,mtt
    I'm Detective Stone.                imdtxtvst
  I need your help.                    inyhlp
PHILIP: Of course. But I don't know how I can help.    Ocs,bid(k)nhichlp
    I don't understand how a terrible crime like this could happen.    idudsthtrbcrlktscdhp
DETECTIVE STONE: We think the museum was entered at midnight.    wtkmswswtamdnt
  The killer came to this office,            tklcttsofc
  where he was surprised by Mr. Morris.            whwsspsbmms
  Mr. Morris was knocked down,                msws(k)ncd
  and then he was hit on the head behind the desk here.    athwshtothdbhdtdskh
PHILIP: Is he. . . ?                    ish
DETECTIVE STONE: The body was taken away an hour and a half ago.tbdwstkawhahkfag
PHILIP: Oh.                        o
DETECTIVE STONE: Mr. Morris was seen with you this afternoon.    mmswsswtytsagtn
  Is that right?                    istrt
PHILIP: Yes.                        ys
  Say, you don't think I had anything to do with this terrible crime.    ydtkihanttdwttstrbcrm
DETECTIVE STONE: I'm just asking questions, Mr.Tate.    injstaskqst,mtt
PHILIP: Yes, of course.                    Ys,ocs
DETECTIVE STONE: Was anything stolen from this room?    wsantstlftsr
PHILIP: I have to look at the entire collection.    Ihvtlkatetclxt
  That's the only way to be sure.            tttolwtbs
DETECTIVE STONE: Well, you're the expert.        W,yrtwxpt
  Can you do that in the morning?            cydtitmn
PHILIP: Of course, Detective.                Ocs,dtctv
  Anything you need.                    antyn
TONY: Detective,                    dtctv
  can I talk to you for a moment?            citktyfmmt
DETECTIVE STONE: What is it?                wisit
TONY: We think Mr.Tate had something to do with this.    wtkmtthsmttdwtts
DIANA: I told you about my uncle's phone call.        itldabtmucspc
  He was so angry.                    hwssagr
  And I think he was angry at Mr.Tate.            itkhwsagramtt
DETECTIVE STONE: Did your uncle use Mr.Tate's name?    dd(y)ucusmttsnm
DIANA: Well, no.                    w,n
DETECTIVE STONE: I need facts, Miss Morris.        Infct,msmrs
    I can only work with facts.                icolwkwtfct
DIANA: Detective--                    dtctv
DETECTIVE STONE: Let the police handle this, Miss Morris.    Lttplchdts,msmrs
  We'll look at all the possibilities.            wllkaatpsblt
DIANA: I hope you do, Detective. . .            ihpyd,dtctv,
  I hope you do.                    ihpyd
 

PART 5
LESSON 1 STEVEN, YOU WORRY TOO MUCH ABOUT SMALL THINGS.    Lso(1),ywrtmcabtamts

SCENE ONE: STUDIO - THE MUSEUM OFFICE SET   
RITA: Look, I found a sweater.                Lk,ifswt
  I got it yesterday.                    igtitystd
STEVEN: Mmm . . . I don't know about the color.        M,id(k)nabttcl
RITA: Steven, I can't return this sweater again.    Stv,icrttswtag
  Are you sure we can't use it?                ayswcusit
STEVEN: White never works well on television.        wtnvwkwotlvs
RITA: I really did my best.                irldmbst
  I bought some great sunglasses .            ibsmgtsgls
  I found the perfect pants.                iftpfctpt
  I returned so many sweaters, the salesclerk hides when she sees me.    Irtsmnswt,tslskhdwsssm
STEVEN: Please return the sweater.            plsrttswt
  And you have to return a skirt for Mary Beth.        ayhvtrtskfmrbt
  It was too short.                    iwstst
RITA: All right.                    art
RITA: Guess what?                    gswt
    Steven wants me to exchange this sweater again.    stvwtmtexcgtswtag
    First he thinks the color is too bright.        fsttktclistbt
    Then he thinks the color isn't bright enough.    Thtktclisbtenf(gh)
    I don't know.                    Id(k)n
    He changes his mind so often,            hcgshsmdsof
    I'm getting confused.                imgtcfs
    I need some help!                    insmhlp

SCENE TWO: THE CONTROL ROOM
STEVEN: I want to get it right.                iwttgtitrt
LINDA: Steven, you worry too much about small things.    Stv,ywrtmcabtsmt
STEVEN: Look, the sweater is important. OK?        Lk,tsweatisiptt,ok
LINDA: Steven, this show is important.            Stv,tssisiptt
  I'm sure you're doing a good job.            imsyrdgdjb
  But you only have two weeks.                byolhvtwks
STEVEN: Linda, don't worry.                Ld,dwr
    Come to rehearsal later.                ctrhslt
    I need some time with the script.            insmtmwttscp
    And Rita needs to find the right sweater.        artndtftrtswt
SCENE THREE: A DEPARTMENT STORE   
SALESCLERK: May I help you, miss?            Mihlpy,ms
RITA: Hi. Remember me?                    hrmbm
CLERK: Oh, yes.                        O,ys
  You're the lady from WEFL                yrtldfwefl
RITA: I need to exchange these.                intexcgts
CLERK: All of them? Why?                Aot,w
RITA: Well . . . the skirt isn't long enough        w,tsktislenf(gh)
  . . . the sweater isn't bright enough. . .        tswtisbtenf(gh)
  and the pants are too tight.                atptattt
  Oh, of course the pants go back to the men's department.    O,ocstptgbcttmsdptmt
CLERK: Well, let's get started.                W,ltgtstt
  Now what about this skirt?                N,wtabttssk
RITA: It's too short.                    ittst
CLERK: What size is it?                    wtszisit
RITA: Size seven.                    szsv
CLERK: Just a moment.                    jstmmt
CLERK: Here are some skirts.                hasmskt
  They're longer.                    trlg
  Those pajamas are nice, aren't they?            Tspjmsanc,at
RITA: Yes. I need to get some pajamas,            ys,indtgtsmpjms
  but these are too expensive.                btsatexpsv
CLERK: They're going to be on sale next week.        trgtboslnxtwk

每天练习两课，坚持下去因该有很大进步。