LESSON 12 NOW LET'S LOOK AT THE PICTURE I TOOK LAST NIGHT. ls tw n lt lk(a) t pt i tk ls nt SCENE ONE: THE MUSEUM OFFICE DIANA: Mr.Tate. mst ttPHILIP: Diana, I'm sorry to surprise you. din,im sr ts pr s(y) Could we talk to you for a minute? c dw t y f(a) mnt
DIANA: Well, OK. wl, okPHILIP: Victor is an art dealer from New York. vt is(a) n(a) a dl f nyk He's looking for things to sell in his shop. hs lk f ts t sl(i) n(i) spDIANA: I could give you the names of art dealers in Stamford. i cd gv y t nm s(o)f a dl s(i)s tfd
VICTOR: No. I came to see you. n,i c t s yPHILIP: Let's get right to the point. lt gt r t t pit Victor wants to buy Indian objects. vt wt t b y(i) dia n(o)b jct Could you sell some of the items from the museum? c d(y) sl s m(o)f t itms f t msm
DIANA: No. I couldn't sell you any Indian objects. n,i cd s u(a)n idia n(o)b jct My uncle never gave any to me. my(u)c nv g v(a)n tm He gave everything to the museum. h gv ert t t msmVICTOR: Think hard. t k(h)d I can pay you well. i c p y wlDIANA: No. I couldn't sell you anything if I wanted to. n.i cd s y (u)ant (n)i f(i) w t And I don't want to. a(n)i d w tPHILIP: Well. Let's be on our way, then. w,lt b o n(o) w t Good night, Diana. gdn,din SCENE TWO: DIANA'S LIYING ROOM TONY: Anybody here? anbd hDIANA: Oh, Tony. o tn Come in. c m(i)TONY: I know the secret of the treaty. i k t scr t(o)
t tt
DIANA: Really? rl Why don't we close the door? w d w cls t dTONY: Let's take a look at these. lt tk(a) lk(a) t TONY: This one shows Ben with the Stamford Treaty. ts o ss bn w ts tf tt Now look at this. n lk(a) t ts
It's a blowup of the treaty. it(a) bo w p(o) t tt
DIANA: But Tony, it's only a photo. b tn i(o)l y(a) pt
What can it tell us? w cn(i) t l(u)s
TONY: Now let's look at the picture I took last night. n lt lk(a) t pt i t ls nt
DIANA: What do you see? w dy sTONY: Look at the treaty in the photo with Ben. lk(a) t tt i t pt wt bn
Look at the mark. . . Lk(a) t m Now look at the mark on the treaty in the drawer. n lk(a) t mk o n(t) tt y(i) t dwDIANA: This mark is different from that one. ts m k(i)s df f t o How could they be different? h c t b df
TONY: This could be a fake. ts cd b a fk
DIANA: A fake? a fk
TONY: Maybe Mr.Tate stole the real treaty. mb mst tt stl t rl tr He put this fake in the drawer. h p ts fk(i) (n)t dwDIANA: But my uncle discovered it right away. b m y(u) dcd(i) rt(a) w That's why he called me that night. . . tst w h c m t nt
Then who killed my uncle? Tn w kd m ucTONY: It could be Mr.Tate. i cd b ms ttDIANA: No, Tony. n tn It couldn't be Mr. Tate. icd b mst ttTONY: Why? wDIANA: The police talked to Mr.Tate. t plc t t mst tt He was at home that night. h ws(a) hm t n He couldn't be the killer. h cd b t klTONY: Then who could it be? tn w cd(i) bDIANA: It could be Victor Chapman. i cd b vt cm He's an art dealer and a friend of Mr.Tate's. . . Hs(a) n(a) a dl ada fd(o) mst tt But where's the proof? b ws(t) pf And is he going to kill again? An(i)s h gi t kl(a)g
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