5.12
LESSON 12 NOW LET'S LOOK AT THE PICTURE I TOOK LAST NIGHT. Ls t, n lt lk(a) t pt I tk ls nt
SCENE ONE: THE MUSEUM OFFICE
DIANA: Mr.Tate. mst tt
PHILIP: Diana, I'm sorry to surprise you. din, im sr ts pr sy
Could we talk to you for a minute? c d(w) t t y f mnt
DIANA: Well, OK. w, ok
PHILIP: Victor is an art dealer from New York. vt is(a) n(a) a dl f nyk
He's looking for things to sell in his shop. hs lk f ts t sl(i) n(h) sp
DIANA: I could give you the names of art dealers in Stamford. I c g v(y) t nm s(o)f a dl s(i)s tf
VICTOR: No. I came to see you. n, I c t s y
PHILIP: Let's get right to the point. lt g tr t t pit
Victor wants to buy Indian objects. vt wt t b idi n(o)b jct
Could you sell some of the items from the museum? c d(y) s s m(o) t e(i)tms f t msem
DIANA: No. I couldn't sell you any Indian objects. n,I cd s y u(a)n idi n(o)b jct
My uncle never gave any to me. m y(u)c nv g v(a)n t m
He gave everything to the museum. h fv evt t t msem
VICTOR: Think hard. t k(h)d
I can pay you well. I c p y w
DIANA: No. I couldn't sell you anything if I wanted to. n, I cd s y u(a)nt n(i) f(i) wd t
And I don't want to. a n(i) d w t
PHILIP: Well. Let's be on our way, then. w, lt b e(o) n(o) w ,t
Good night, Diana. gd n, din
DIANA: Good night. dg, n
SCENE TWO: DIANA'S LIYING ROOM
TONY: Anybody here? anbd h
DIANA: Oh, Tony. o, tn
Come in. c m(i)
TONY: I know the secret of the treaty. I k t sc t tt
DIANA: Really? rl
Why don't we close the door? w d w cls t d
TONY: Let's take a look at these. lt tk(a) lk a ts
TONY: This one shows Ben with the Stamford Treaty. ts o ss b w ts tf tt
Now look at this. n lk(a) ts
It's a blowup of the treaty. lt(a) blwp of(t) tt
DIANA: But Tony, it's only a photo. b tn, it(o)l a pt
What can it tell us? w c n(i) t l(u)s
TONY: Now let's look at the picture I took last night. n lt lk(a) t pt I tk ls nt
DIANA: What do you see? w d y s
TONY: Look at the treaty in the photo with Ben. lk(a) t tt I n(t) pt wt b
Look at the mark. . . lk(a) t mk
Now look at the mark on the treaty in the drawer. n lk a t mk o n(t) tt I n(t) d
DIANA: This mark is different from that one. ts m k(i)s df f t o
How could they be different? h c t b df
TONY: This could be a fake. ts c b a fk
DIANA: A fake? a fk
TONY: Maybe Mr.Tate stole the real treaty. mb mst t stl(t) rl tt
He put this fake in the drawer. h p ts fk(i) t d
DIANA: But my uncle discovered it right away. b m uc dscvd(i) rt(a) w
That's why he called me that night. . . tt w h c m t nt
Then who killed my uncle? t w kd m uc
TONY: It could be Mr.Tate. it c b mst tt
DIANA: No, Tony. n, tn
It couldn't be Mr. Tate. I cd b mst t
TONY: Why? w
DIANA: The police talked to Mr.Tate. t plc t t mst t
He was at home that night. h ws(a) hm t n
He couldn't be the killer. h cd b t kl
TONY: Then who could it be? t w cd(i) b
DIANA: It could be Victor Chapman. I c b vt cm
He's an art dealer and a friend of Mr.Tate's. . . hs(a) n(a) dl r(a)d(a) fd(o) mst tt
But where's the proof? b ws(t) pf
And is he going to kill again? a n(i)s h go t k l(a)g
and this is the end of lesson twelv a ts is t(e) ed(o)f ls tv
