victorlee压码日记

PAET 5
LESSON 6 WAS THERE ANY MAIL FOR ME?            lssx(6),wstanmfm

SCENE ONE: THE BENNETT FAMILY KITCHEN
MRS. BENNETT: How are you, dear?            Hay,d
JEFF: Fine, thanks.                    F,tks
  Was there any mail for me?                wstanmlfm
MRS. BENNETT: There wasn't anything for you.        twsantfy
  There were two bills and a magazine for me.        wwwblsamgzfm
    But there was no mail for you.            btwsnmlfy
JEFF: Nothing for me, huh?                Ntfm,h
MRS. BENNETT: No, nothing.                N,nt
  You don't live here anymore.                ydlvhanm
  Why would anyone send mail to you here?        wwdanosmltyh
JEFF: I gave someone this address.            igvsmotsadrs
MRS. BENNETT: Who?                    h
JEFF: Just a friend who owes me money.            jstfdhosmmn
MRS. BENNETT: Well, there wasn't any mail for you today.    W,twsanmlfytd
JEFF: OK. Sorry.                    Ok,sr
  I just need the money.                ijsntmn
  I have a lot of expenses on the new apartment.        ihvltexpsotnaptmt
MRS. BENNETT: Were there any lights in your building last night?    wtanltiybdlstnt
JEFF: No, there were no lights last night.        N,twnltlstnt
  But when I left this morning,                bwilfttsmn
  there was electricity.                twselctct
MRS. BENNETT: Was there any hot water?            wstanhtwt
JEFF: Yes, there was hot water.                Ys.twshtwt
MRS. BENNETT: Was there any heat?            wstanht
JEFF: Mom, this is August.                M,tsisagst
  I don't need heat.                    idnht
MRS. BENNETT: Was there any telephone service?        wstantlpsvc
JEFF: Mom, I have telephone service.            M,ihvtlpsvc
MRS. BENNETT: Then why didn't you call me and give me your phone number?    twdycmagvmypnb
JEFF: Mom, I'm a grown man now.                imgmn
  My first thought wasn't to call my mother.        mfsttwstcmmt
  I'm sorry.                        imsr
  Anyway, I can give it to you now.            anw,icgvittyn
  The number is 555-2649.                Tnbisfvfvfv,tsxfn
MRS. BENNETT: Can you write it down for me?        Cy(w0rtitdfm
JEFF: Sure. Do you have anything I can write with?    S,dyhvantic(w)rtwt
MRS. BENNETT: Here's something.                hssmt
JEFF: Do you have anything I can write on?        Dyhvantic(w)rto
MRS. BENNETT: Here.                    h
MRS. BENNETT: Jeff, are you seeing anyone?        Jf,atsano
JEFF: No one I want to talk about, Mom.            nowttlkabt
MRS. BENNETT: You really should settle down with someone.    yrlsstdwtsmo
JEFF: That's what you always tell me.            ttwyawstlm
MRS. BENNETT: Well, it's true.                W,ittr
JEFF: Yep. OK.                        Yp,ok
  Gotta go.                        gtg
MRS. BENNETT: What? You just wanted to see if there was any mail for you?    W,yjstwttsifhwsanmfy
JEFF: And to say hello.                    atshl
  But now I have to say goodbye.            bnihvtsgb
MRS. BENNETT: OK. Don't forget to call.            Ok,dfgttc
JEFF: Right.                        rt
MRS. BENNETT: Jeff?                    jf
JEFF: Yep?                        yp
MRS. BENNETT: I saw the show last night.        istslstnt
JEFF: You did?                        yd
MRS. BENNETT: It was great.                itwsgt
  I'm really proud of you.                imrlpdoy
JEFF: Even if I'm not a lawyer or a doctor or a businessman.    eviimnlodctobsnsm
MRS. BENNETT: Maybe you could marry a lawyer or a doctor. . .    mbycmrlodct
  Only kidding.                        olkd
  We're happy to have you back in Stamford.        wrhpthvybcistmf
JEFF: Thanks, Mom.    Tks,m
  I'm beginning to feel better about being here.    imbgtfbtabtbh

今天练习了两课，效果还不错。如下：

PART 5
LESSON 7 YOU MUSTN'T TOUCH THE CAMERAS.            lssv(7),ymstctcms

SCENE ONE: STUDIO - THE MUSEUM OFFICE SET
JEFF: I'm sorry we have to work late tonight.        imsrwhvtwklttnt
  Steven said it's necessary.                stvsditncsr
  We have to do it.                    whvtdit
  Linda said we have to finish this show by Friday.    ldswhbtfnstssbfrd
  Where's Mary Beth?                    wsmrbt
MARY BETH: OK, Jonathan.                Ok,jnt
  This is where I work. . .                tsiswiwk
  You must be a good boy,                ymsbgb
  and you must listen to Mommy.                aymslstmm
  You mustn't run around . . .                ymsrard
  you mustn't yell. . .                    ymsy
  and you mustn't touch the cameras.            aymstctcms
RITA: Hello! Is this little Jonathan?            Hl,istsltjnt
  Hello, Jonathan.                    Hl,jnt
  I'm Rita.                        imrt
  I'm your baby-sister tonight.                imybbssttnt
MARY BETH: Say hello, Jonathan. . .            shl,jnt
  He's tired.                        hst
  When people talk to you,                wpptlkty
  you should say hello back, sweetie.            ysshlbc
RITA: That's OK.                    ttok
  I'll be right back,                    ilbrtbc
  and Jonathan and I can play.                ajntaicpl
JEFF: Hey, big guy.                    H,bgg
  Give me five. . .                    gvmfv
  So you brought him!                    sybh
  What a big boy!                    wbgb
MARY BETH: Well, Jonathan knows he must listen to Mommy and he mustn't touch anything. . .                                    w,jntkshmslstmmahmstcant
  I'm worried he can't be good.                imwrhcbgd
JEFF: OK. Jonathan . . .                 ok,jnt
  you're in a studio now.                yristdn
  And there are a lot of rules you have to follow.    atltorsyhvtfl
  There's no eating. . .                tsnet
  There's no drinking. . .                tsndrk
  There's no running. . .                tsnrn
  There's no touching. . .                tsntc
  OK, Jonathan?. . .                    ok,jnt
  And there's absolutely no smoking, Jonathan.        Atsabsltlnsmk,jnt
RITA: Very funny.                    vrfn
  Come on, Jonathan.                    Co,jnt
  You can come over here and watch Mommy, OK?. . .    yccovhawcmm,ok
  But you mustn't make any noise.            bymsmkanns
MARY BETH: OK. We're going to rehearse.            Ok,wrgtrhs
SCENE TWO: THE STUDIO
RITA: Jonathan, when Mommy is working,            jnt,wmmiswk
  you mustn't talk.                    ymstk
RITA: Jonathan, no running. . .                jnt,nrn
  You have to stop.                    yhvtstp
RITA: Oh, no, honey.                    O,n,hn
  You mustn't play with those photos, OK?        Ymsplwttspts,ok
RITA: That's a camera, sweetie. . .            ttcm,swt
  You have to be careful.                yhvtbcf
  You mustn't touch the camera.                ymstctcm
RITA: Jonathan, honey,                    jnt,hn
  be a good boy.                    bgdb
RITA: No eating, Jonathan!                N,et,jnt
RITA: Oh, well.                        O,w
RITA: Oh, no.                        o,n
  It's time to changer your diaper.    ittmtcgydp
MARY BETH: Oh, Rita. You don't have to do that.    O,rt,ydhvtdt

PART  5
LESSON 8 YOU'D BETTER GET SOME SLEEP.            lset(8),ybtgtsmslp

SCENE ONE: A BASETBALL COURT
MIKE: Come on, Charles.                    Co,cls
CHARLES : Hey, wait a minute.                H,wtmnt
  Slow down.                        sld
  This isn't the big time.                tsistbgtm
MIKE: Hey, maybe you should take a break.        H,mbystkbk
CHARLES : No, I'm OK.                    N,imok
MIKE: Are you sure you're OK?                aysyrok
  Hey, you'd better sit down.                H,ybtsd
CHARLES : Yeah. I'm a little dizzy.            Y,imltdz
    I have to stop for a minute.            ihvtstpfmnt
MIKE: You know, Charles,                y(k)n,cls
  you should start taking better care of yourself.    yssttkbtcoyslf
CHARLES : Yeah, yeah.                    Y,y
MIKE: No. Look.                        N,lk
  I'm your friend and I can tell you.            imyfrdaictly
  You'd better get in shape,                ybtgisp
  or you're going to have a heart attack.        oyrgthvhtstc
CHARLES : Yeah, maybe you're right.            Y,mbyrrt
    Maybe I should get in shape.            mbisgisp
    So how does the show look to you?            shdstslkty
MIKE: It looks good to me.                itlksgdtm
    What do you think?                    wdytk
CHARLES : I think Steven had better finish the show soon.    itkstvhbtfnstss
MIKE: Linda told him he'd better not be late.        ldtldhmhdbtnblt
  He has to finish this week.                hhstfnstswk
CHARLES : So what are you going to do after Friday?    swtaygtdaftfrd
MIKE: I'm going to photograph a news show.        imgtptgrpnss
CHARLES : What about Jeff?                wabtjf
  Is he going to be happy in Stamford?            ishgtbhpistmf
MIKE: I don't know and I don't think Jeff knows.    Id(k)naidtkjf(k)ns
  I guess he'd better decide soon.             igshdbtdcds
  Maybe we'd better not play anymore, Charles.        Mbwdbtnplanm,cls
    I'm worried about you.                imwrabty
CHARLES : OK. I'll see you later, Mike.            Ok,ilsylt,mk
    I'd better lose some weight. . . fast.        idbtlssmwt

SCENE TWO: THE MAKEUP ROOM

MARY BETH: Oh, Rita, I'm so tired.            O,rt,imst
RITA: I keep telling you, Mary Beth.            Ikptly,mrbt
  This is serious.                    tsissrs
  You'd better get more sleep.                ydbtgmslp
MARY BETH: Last night was awful.            lsntwsaf
RITA: You'd better hire a baby-sitter,            ydbthbbst
  or you're going to be too tired to rehearse.        oyrgtbtttths
MARY BETH: I want to be with my kids.            iwttbwtmkd
RITA: Then maybe you should stay home.            tmbyssthm
MARY BETH: I don't know what to do.            Id(k)nwtd
    I have to work.                    ihvtwk
    We need the money.                    wntmn
RITA: Well, dear,                    wl,d
  last night was a disaster.                lsnwsdsst
MARY BETH: You're right.                yrrt
  I'd better not do that again.                idbtndtag
RITA: I hate to say it, but it's true.            Ihttsit,bittr
  The next time you have to work late,            tnxttmyhvtwklt
  I think you'd better leave Jonathan at home.        itkybtlvjntahm
MARY BETH: What time is it?                wtmisit
RITA: You have an hour before you're on.        Yhv(h)obfyro
MARY BETH: I'm going to close my eyes for a few minutes.    imgtclsmwsffmnt
RITA: Good idea.                    gdid
MARY BETH: Thanks, Rita.                Tks,rt
  And thanks for watching Jonathan last night.        atksfwcjntlsn
RITA: It was nothing.                    iwsnt
MARY BETH: I'm sorry he messed up all your makeup.    imsrhmsualymkup
RITA: Oh, yeah, I'd better clean that up.        O,y,ibtcltup
    I have to buy some new makeup, anyway.        Ihvtbsmnmkup,anw
    You'd better get some sleep.            ybtgsmslp
    You'll never be able to rehearse.            ylnvbabtrhs

今天练习了两课，如下：

PART 5
LESSON 9 YOU'D BETTER NOT ASK TOO MANY QUESTIONS. . .    Lsn(9),ybtnaktmnqsts

   
SCENE ONE: IN THE CAR
JEFF: You look great.                    ylkgt
AMY: Well, thank you.                    W,tk
  I feel pretty great.                    iflptgt
JEFF: So where are we going?                swawg
AMY: You'd better not ask too many questions,        ybnsktmnqsts
  or you'll ruin my surprise.                oylrmsps
JEFF: I don't want to ruin your surprise,        idwtrysps
  but you'd better tell me how far we're going.         bybttlmhfwrg
    I don't want to run out of gas.            idwtrogs   
AMY: Oh. It's not far at all.                O,itnfaa
JEFF: What's in the basket?                wtitbskt
AMY: No, no.                        n,n
  Bad boy.                        bdb
JEFF: So where to?                    swt
AMY: Take a left here,                    tklfh
  and then go left at the stop sign.            atglftatstpsg
AMY: Jeff, you have to stop.                Jf,yhvtstp
JEFF: Amy, calm down.                    Am,cmd
    I'm a very good driver.                imvrgddrv
AMY: Get in the right lane.                gtitrtl
  You have to turn right.                yhvttrt
JEFF: I know where we're going.                I(k)nwwrg
AMY: You do?                        yd
JEFF: To the park.                    ttpk
  There's a concert in the park tonight.        tscctitpktnt
AMY: Oh. You ruined my surprise.            O,yrmsps
JEFF: Don't be upset.                    dbups
    I love concerts.                    ilvcct
AMY: You do?                        yd
JEFF: Yeah.                        y
  This is going to be great.                tsisgtbgt
AMY: Jeff, the sign says no stopping.            Jf,tsssnstp
  You'd better go on.                    ybtgo
JEFF: Calm down.                    cmd
    It's OK.                        itok
  A concert in the park.                cctitpk
  That's terrific .                    tttrfc

SCENE TWO: THE PARK

JEFF: This is very nice, Amy. . .            tsisvrnc,am
  When I was in California,                wiwsiclfn
  I never had picnics.                    invhpcncs
AMY: What made you come back?                wmdycmbc
JEKE: I need the job.                    intjb
      and Mr. ,                        am
      spur things.                    sprts
      like pike Nike sound park.            lkpknksdpk
      so，what's for diner？                S,wtfdn
AMY: Fried chicken,                    frcc
  coleslaw,                        clsl
  carrots,                        crt
  celery,                        clr
  rolls,                        rls
  wine.                            w
JEFF: Ah-hah!                        ah
    What's this?                    wtts
AMY: You mustn't eat that now.                ymsettn
  It's for dessert.                    itfdst
JEFF: Mmm.                        m
  I love cake.                        ilvck
AMY: Jeff!                        jf
JEFF: OK. You'd better put it away somewhere,        ok,ydbtpitawsmw
  or I'll eat it.                    oilet
AMY: You'd better just keep your hands off it.        ybtjskpyhdoit
JEFF: Ooooh, she gets tough.                O,sgtt
AMY: I have to be tough with you.            ihvtbtwty
  You're a tough kind of guy.                yrtkog
JEFF: Actually,                        actl
  I'm very sweet.                    imvrswt
  Like this cake.                    lktsck
AMY: I wonder.                        iwd
JEFF: What?                        w
AMY: I'd better not say.                ibns
    I don't want to get into trouble.            idwtgittb
JEFF: Come on.                        cmo
AMY: So. . . you think you're going to stay in Stamford. . .    s,ytkyrgtstistmf
    and be happy here?                    abhph
JEFF: Everyone keeps asking me that. . .        evrokpaskmt
  Do you want me to stay?                dywtmtst
AMY: Yes, I do, Jeff. . .                ys,id,jf
  It's funny,                        itfn
  but I feel like. . . .                bifllk
  we're old friends.                    wrofrd
JEFF: I know what you mean.                I(k)nwym

PART 5
LESSON 10 LET'S THINK BACK TO THE NIGHT OF THE MURDER.    Lst(10),lttkbcttnotmd

SCENE ONE: DIANA'S LIYING ROOM
DIANA: But Detective Stone,                bdtctvst
  why don't you do something about my uncle's murder?    ydydsmtabtmucsmd
DETECTIVE STONE: It takes a little time, Miss Morris.    Itkslttm,msmrs
  I have other cases I'm working on too.        ihvotcssimwkot
TONY: We don't have much time,                wdhvmctm
  Detective Stone.                    dtctvst
DETECTIVE STONE: Believe me,                blvm
  I'm doing everything I can.                imdevrtic
DIANA: Thank you, Detective.                Tk(y)

DETECTIVE STONE:Why don't Miss Morris，Mr. Hunter.      wdmsmrs,mht
DIANA: Goodbye.                        gb
TONY: You look upset.                    ylkups
    Why don't we sit down?                wdwsd
DIANA: Let's not sit down.                ltnsd
  Let's do something.                    ltdsmt
TONY: Why don't we go over the facts?            wdwgovtfct
  Maybe we can help solve the murder.            mbwchlpsltmd
DIANA: All right.                    art
TONY: Let's think back to the night of the murder.    lttkbcttntotmd
  Remember?                        rmb
  Your uncle called. . .                yucc
SCENE TWO: THE MUSEUM OFFICE   
DIANA: Hello?                        hl
BEN: Diana, I-I have to talk to you.            Dn,iihvttlkty
DIANA: Uncle Ben?                    ucb
  What is it?                        wtisit
BEN: I have to show someone.                ihvtssmo
  I know you'll understand.                I(k)nyludstd
DIANA: Show me what?                    smwt
    What's going on?                    wtgo
BEN: Just get over here right away.            jstgtovhrtaw
  I'm at the museum.                    imatms
DIANA: But Uncle Ben. . .                bucb
BEN: I have proof!                    ihvprf
SCENE THREE: DIANA'S LIVING ROOM   
TONY: He had proof.                    hhdprf
  That's why he was killed.                ttwhwskl
  Let's see.                        lts
  What did he mean?                    wdhm
  Or who did he mean?                    ohdhm
DIANA: I think he meant Mr.Tate.            itkhmtmtt
TONY: Mr.Tate?                        mtt
  Tell me what you know about Mr.Tate.            tlmwy(k)nabtmtt
DIANA: I heard an argument that afternoon.        ihargmttaftn
  It was in Uncle Ben's office. . .            iwsiucbsofc
SCENE FOUR: THE MUSEUM OFFICE   
BEN: It was changed.                    itwscg
PHILIP: Changed? How?                    Cg,h
BEN: It was given to me over forty years ago.        Itwsgvtmovftys
  I know it like the back of my hand.            I(k)nitlktbcomhd
  It was signed with a different mark.            itwswtdfrtmk
SCENE FIVE: DIANA'S LIVING ROOM
TONY: He found a different mark?            hfddfrtmk
DIANA: Maybe it's a mark on one of the documents.    mbitmkooofdcmt
TONY: Why do you think that?                wdytktt
DIANA: After the murder,                afttmd
  I saw Mr.Tate do something very strange.        ismttdsmtvrstrg
DIANA: I think there's a clue in that document drawer.    itktsclitdcmtdr
TONY: Let's take a look tomorrow.            lttkalktmr
DIANA: No, let's not take a look tomorrow.        N,ltnttklktmr
  Let's take a look right now.                lttklkrtn
DIANA: Are you coming?                    ayc
TONY: Let's go.                        ltg

什么是语音特征？就是一个语音同另外语音所区别的特点，就是一个人一张口还没有说完一句话，你就可以抓到的那点细微区别，这个人不是那个人，只要抓到一次就不会跑掉了，就是他的手法特点，就是他的文本，一眼就可以看到的小地方。绝对不是有的学员认为的语音。
说心里话，你的注音质量一直是很好的，以致前期对你的注音错误关注的不够。上周用了很长时间进行批改作业，对你没有关注的语音特征进行注音，掌握了你的错误的规律。新的注音原来的错的地方还没有改正。希望你认真对照练习一遍，找出自己注音错误的地方。再练习就会有很大的进步了。

刚刚上论坛准备发今天利用课余时间练习的两课。看到孙老师的建议，说实在的练习压码注音的时候，有点过形式，一个半小时完成一课。每天大概三个小时。没有考虑是否压对。明天练习的时候一定注意。今天的练习如下：

PART 5
LESSON 11 WHO COULD IT BE?                  Lselv(11),(w)hcitb

SCENE ONE: THE MUSEUM OFFICE
TONY: These couldn't be the clue, could they?        Tscbtcl,ct
  What are these, anyway?                Wats,anw
DIANA: They're the oldest documents in Stamford.    trtodstdcmtistmf
TONY: I remember this.                    irmbts
    It's the Stamford Treaty.                ittstmftrt
    Ben showed it to me. . .                bsittm
SCENE TWO: THE MUSEUM OFFICE
BEN: This is the Stamford Treaty,            tsiststmftrt
  the most important item in the Morris Museum.        tmstipttititmrsms
TONY: How old is it?                    hoisit
BEN: Look here.                        lkh
  It's dated 1640,                    itdtsxtft
  and it's signed by two great Indians.            aitsbtgrtids
  All the big museums would like to own this,        atbgmsswlktots
  but it's going to stay right here at the Morris Museum is Stamford. . .    bitgtstrthatmrsmsisstmf
  It's worth a fortune.                    itwtft
SCENE THREE: THE MUSEUM
TONY: It's worth a fortune.                itwtft
  Are all these old documents worth money?        aatsodcmtwtmn
DIANA: Yes.                        ys
TONY: Could this treaty be worth more than the others?    ctstrtbwtmttots
    A lot more?                        ltm
DIANA: Oh, yes.                        O,ys
TONY: I could be wrong,                    icb(w)r
    but I think there's a connection between the Stamford Treaty and the killer.     bitktscnctbttsmftrtatkl
  This could be a clue.                    tscbcl
DIANA: But what?                    bwt
TONY: I'm not sure yet.                    imnsyt
  We could wait for the police. . .            wcwtftplc
  or we could work on it ourselves.            owcwkoitoslvs
DIANA: Let's work on it ourselves.            ltwkoitoslvs
TONY: OK. I have an idea.                Ok,ihvaid
TONY: I want to go home and develop these pictures .    iwtghmadvlptspcts
  I'll see you in the morning.                ilsyitmn
  We're going to catch this killer!            wrgtcctskl
DIANA: Tony?                        tn
    Is that you?. . .                    isty
    Tony?. . .                        tn
    Who could it be?                    (w)hcitb   
DIANA: Who are you?. . .                (w)hay
    What do you want?                    wdywt
PHILIP: Diana! What is it?                Dn,wisit
DIANA: There was a stranger in the hallway.        twsstgithlw
  Then the lights went out.                ttltwto
  What's happening?                    wthp
PHILIP: Diana, that was me.                Dn,twsm
  I turned off the light switch by accident.        itotltswcbaccdt
DIANA: But there was a strange man in the hallway.    jbtwsstrgmithw
PHILIP: I can explain that.                icexplt
  Victor!                        vct
PHILIP: Diana, I want you to meet Victor Chapman.        Dn,iwtytmvctcpm
  Victor is an old friend of mine.            vctisofrdom
DIANA: I see.                        is
PHILIP: What are you doing here?            waydh
DIANA: What are you doing here?                waydh