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第十二次作业

级别: 新手上路
4.7


Lesson7 That's yours, charles. lssvttyscls

SCENE ONE: THE STUDIO

RITA: Here we are.hwa
  Here we are. hwa
MARY BETH: You're late. yrl
CHARLES : OK, who gets what? okwgswt
  Cheese sandwich? csswc
RITA: That's his. tths
CHARLES : These are all mine. . . ts(a)am
  Salad? al(d)
RITA: That's hers. tths
CHARLES : Chicken sandwich? ckswc
  Whose is this? wssts
RITA: That's yours, Charles. ttyscls
CHARLES : Oh, of course. oofcs
CHARLES : Diet soda? dtsd
MARY BETH: Those are ours. ts(a)os
CHARLES : For you. . . fy
  And coffee for me. adcffm
  Oh, there's a pizza here. otspzh
  Whose is it? wsst
RITA: Didn't you get something for Steven and Linda? ddygsmtfstvald
CHARLES : Oh, yeah. oy
  The pizza's theirs. tpzst(s)
CHARLES : Is your hair getting gray, Mike? isyhgtgrm(k)
MIKE: It's darker than yours. isdktys
CHARLES : It had to be gray for a movie role out in Denver. ihtbgrfamvrotdv
  Wonderful, wonderful place in the mountains. wdfwdfplcitmts
RITA: Are you sorry to come back? aysrtcmbk
CHARLES : Oh, no. I like to do a movie now and then,onil(k)td(a)mvnat
    just for a change. jsfac
  But I'm happy to be here in Stamford. bimhptbhrstfd
  Then I can sleep in my own bed every night. ticslpmwbevn
MIKE: I see you like the food here too. isyltfht
CHARLES : You auditioned for a movie in New York,yadtfamvnyk
    didn't you? d(d)y
  What happened with that? whpwtt
  I thought the part was yours. ittpwsys
MARY BETH: I thought the part was mine too,ittpwsmt
    but they had their own ideas. bthtondas
  They wanted the blonde. twttbld
CHARLES : I'm sorry to hear that. imsrthrt
RITA: You're happy with our new show, aren't you? yrhpwtonsay
MARY BETH: Oh, yes. oys
  And it's a good role, aisgr
  so I can't complain about my part. siccmplnbmpt
CHARLES : What about this new actor, Jeff Bennett? wtbtsna(c)tjfbnt
  Do you know him? dykim
MARY BETH: He's kind of new to television, hskdfnttlvs
  but he'll be OK.bhlbok
    He's very nice. hsvrnc
    You should get to know him. ysgtkhm

SCENE TWO: ANOTHER PART OF THE STUDIO

MARY BETH: The truth is, ttts
    I'm really disappointed about that movie.imrldspitdbtmv
    The role was exactly right for me. . . trwsx(c)tlrfm
    Right now I have this new television show to work on. rnihvtsntlvsstwk
    And we have a new actor working with us - adwhvna(c)twkwtus
    Jeff Bennett. jfbnt
    It's his first starring role. ishsfstrr
    I know how to do my role, ikhtdmr
    but maybe he's going to need help with his. b(t)mbhsgitndhpwths
    Maybe I can give him some advice. mbicgvmsmdvc
    I think he's a nice guy. it(k)hsncg
    I hope he's a success.ihhsscs


4.8

LESSON 8 SHE'S AS BEAUTIFUL AS HER MOTHER. lse(t)sssbtfashmt
TEXT
SCENE ONE: THE MAKEUP ROOM

MARY BETH: Where's Rita? wsrt
JEFF: She'll be back in a minute. s(l)bbknmn
MARY BETH: You look happy today. ylhptd
JEFF: I found an apartment. ifdnpmt
MARY BETH: Great! How far is it from the studio? grthfrsfrmtstd
JEFF: It's about a mile from here. isbtmlfrmh
    On Eighth Street.oe(t)st
MARY BETH: Good. How many rooms? g(d)hmnrms
JEFF: A bedroom,abrm
    a kitchen, akc
    and a living room with a terrace? adlvrmwttrc
MARY BETH: Uh-huh. Did you get a good price? uhdygtgprc
JEFF: Yes. Rents just aren't as high as in New York. ysr(t)sjsatshasnyk
    Oh, and it's very convenient. oaisvrcvnt
  There's a garage underneath the building. tsgrgudnttbd
MARY BETH: Hmm. That's different from ours. httdfrfrmos
  We have a parking lot. whvpkl
  But at least it's right outside our door. balstsrosod
  Well, congratulations. wlcgrtlts
  It sounds nice. issnc
JEFF: Thanks. tks
RITA: Congratulations?cgrtlts
    Did I miss something? dimsmt
MARY BETH: Jeff found an apartment. jffdnpm(t)
RITA: Really! Good for you! rlgfy
  Tell me all about it. tlalbtt
JEFF: Well, it's a one-bedroom. . . wlisobrm
RITA: Where is it? wist
JEFF: It's on Eighth Street. ise(t)st
RITA: That's the same street as mine! tt(t)amst(t)sm
  Looks like we're going to be neighbors. l(k)slwrgitbnbs
  What's the address? wttads
JEFF: Three twenty-one Eighth. trttoe(t)
RITA: That's my address! ttmads
  We live in the same building! wlvtsmbd
  Oh, that's wonderful! ottwdf
  Is your apartment the same size as mine? isyapmttsmsasm
JEFF: Well, it's a one-bedroom. . . wlisobrm
RITA: Oh, you have to come over for dinner! oyhvtcmvfdn
  What apartment are you in? wtpmtayi
JEFF: Four-B. fb
RITA: Well, that's a different floor from mine,wltsdftflfrmm
    but-oh, we're going to be such good neighbors! bowrgitbscgnbs
JEFF: Yeah. y
RITA: I moved there ten years ago. imttysg
  I think I moved in the year I came to WEFL. . . itkm(v)dtyicmtwefl
  Oh, say, are those pictures of your new baby? osatsptsfynbb
MARY BETH: What? These? w(t)ts
  Uh, yeah. uy
  And my three-year-old son. amtryrs
RITA: Oh, good. ogd
  Can I see them? cnstm
MARY BETH: Oh, you saw these already. oystsrd
RITA: No, no, no! nnn
MARY BETH: They're just old ones. trjst(d)os
RITA: Give them to me. gvtmtm
RITA: Oh, just look at those eyes! ojslktses
  She's certainly different from your first baby. ssctldfrfmyfs(t)bb
  Your first baby wasn't as healthy as this one. . .yfs(t)bbwsashtastso
    But look at him now! blkthmn
JEFF: Look at the expression on her face. lktexprsnhfc
  She looks like her mother. sl(k)slhmt
RITA: Yes. A beautiful baby. ysabtfbb
  She's as beautiful as her mother.sssbtfashmt


4.9

Lesson09 Jeff, be as calm as you can. lsnjfbascmasyc

SCENE ONE: STUDIO-THE MUSEUM OFFICE SET

MARY BETH: Are you ready? ayrd
JEFF: Yeah. I'm as ready as I can be for the first day of rehearsal. yimasrdascbftfsdofrhs
MARY BETH: Come on. cm
  Steven's easy to work with. stvsestwwt
MARY BETH: Hi, Steven. . . hstv
    Hi, Steven. hstv
STEVEN: Oh, hi. oh
    How are you two this morning? hayttsmn
MARY BETH: Fine. f
STEVEN: By the way, btw
  is this yours? istsys
MARY BETH: No. It's not mine. nisnm
STEVEN: Then whose is it? twsis
JEFF: It has coffee on it. ihscfon
  It's probably Charles's. ispblclss
MARY BETH: That's his. tths
STEVEN: OK, I'll give that to him when we're done here. okilgvtt(mwwr)dh
  Why don't we start with page forty-eight? wdwswtpgfte(t)
STEVEN: In this scene, itssn
  Tony and Diana are at the museum. tnadanaatmsu
  It's late at night. isltn
  I want you to stop outside the door and then walk into the office. OK? iwtytstostdatwkittofcok
JEFF: Sure. se
MARY BETH: Hello? hl
    Is anyone here? isnoh
JEFF: Maybe he went home. mbhwhm
DIANA: And left the lights on? alf(t)tls
  You know he never wastes a penny. ykhnvwspn
TONY: Maybe he went home, Diana.mbhwhmdna
    Maybe he left a note for you. mbhlftnfy
STEVEN: No, no, Jeff. I want you to try something different. nnjfiwtyttsmtdfr
JEFF: OK. ok
STEVEN: Start with your line. stwtyl
DIANA: And left the lights on? altls
  You know he never wastes a penny. ykhnvwspn
TONY: Maybe he went home, Diana. mbhwhmdan
  Maybe he left a note for you -mbhlftnfy

STEVEN: No, Jeff. Don't be as serious as that. OK? njdbassrsastok
JEFF: Right. Got it. rgt
STEVEN: Start with your line. stwtyl
TONY: And left the lights on? alftls
MARY BETH/DIANA: Wait a minute, Jeff. wtmnjf
  That's not your line. It's mine.ttnylism
    And left the lights on? alfttls
    You know he never wastes a penny. ykhnvwspn
TONY: Maybe he went home, Diana. mbhwhmdna
  Maybe he left a note-mbhlftn
STEVEN: No. No. No. nnn
    Jeff, your reaction is different from Diana's. jfyratnsdfrfrmdans
    You should be calmer than Diana. ysbcmtdna
    You're not as worried as she is. yrnaswrdssis
JEFF: What is it? wts
STEVEN: Look, Jeff, be as calm as you can. lkjfbascmasyc
MARY BETH: Steven, just a thought. stvjstt(t)
  If Diana is worried, ifdaniswr(d)
  doesn't she want some reassurance from Tony? dsswsmrsrcftmtn
JEFF: Let me try that. lmtt
STEVEN: OK, fine. Anything. okfant
DIANA: And left the lights on? alftls
    You know he never wastes a penny. ykhnvwspn
TONY: Maybe he went home, Diana. mbhwhmdan
    Maybe he left a note for you. mbhlftnfy
STEVEN: Good, good.g(d)gd
    Keep going. k(p)gi
TONY: Why don't we try to call him at home? wdwttchmhm
DIANA: wow!w
TONY: What is it?wtst
DIANA/MARY BETH: It's. . . It's. . . It's the end of my page.isisistedfmpg


4.10

Lesson 10 Do you know how my name is spelled? lstdykhmnmispld


SCENE ONE: THE MUSEUM OFFICE

TONY: A little closer, Mr. Morris. . . altclsmrmrs
    Hold that smile, Mr. Tate. htsmlmrt
    Got it. Thank you, gentlemen. gttkygtm
    And welcome to Stamford, Mr. Tate. awctstfdmrt
  I wish you the best in your new job. iwsytbstynjb
PHILIP: Thank you so much. tkysmc
BEN: I'm glad that's over. imgltsv
TONY: I need a quote from each of you for the newspaper article. indqtfmecofyftnsppatc
BEN: We're proud to have Philip Tate join our museum. wrpthvpltjiomsu
PHILIP: And I'm proud to be working for Ben Morris, admprdtbwkfbmrs
    the leading expert on Stamford history. . . tldexptstfdhstr
    Do you know how my name is spelled? dykhmnmispld
TONY: P-h-i-l-l-i-p T-a-t-e. philliptate
PHILIP: Philip is spelled with one l. plpspldwtol
TONY: Oh, right. or
  You know, I'd like to get another photo. ykiltgtntpt
BEN: It's your money. isymn
PHILIP: Why don't we show Mr. Hunter an Indian object? wdwswmrhtandanbj
TONY: That's beautiful. . . ttbtf
  What's it made of? wsmdf
PHILIP: It's made of leather. ismdflt
  Most Indian pouches are made of leather. msidnpcsamdflt
TONY: What's it used for? wsusf
PHILIP: It's used for tobacco. isusftbc
    Of course, ofcs
    there isn't any tobacco in there now. trsantbcitn
  It's two hundred years old. isthd(d)ysd
BEN: We can use this. wcusts
TONY: What is it? wts(t)
BEN: This is the Stamford Treaty, tsiststftt
  the most important item in the Morris Museum. tmsiptitmtmrsmsu
TONY: How old is it? hodst
BEN: Look here. lke
  It's dated 1640, isdt1640
    and it's signed by two great Indians. aissbtgrtdns
    All the big museums would like to own this, atbmsuswltots
    but it's going to stay right here at the Morris Museum in Stamford. . . btsgitstrhatmrsmsuistf
    It's worth a fortune. iswtaft
TONY: It's your museum, Mr. Morris, isymsumrmrs
    so why don't you sit at the desk? swdysttdsk
  And Mr. Tate, amrtt
  why don't you look over Mr. Morris's shoulder? wdylkvmrmrsssd
PHILIP: Like this? lts
TONY: That's fine. . . ttf
    Mr. Morris, mrmrs
  a pleasant look, please? apslpls
  Thank you. . . tky
  That's it. ts
    You'll see the story in Friday's paper. ylststrifdspp
PHILIP: I look forward to seeing it. ilfwtsii
DIANA: Uncle Ben? ucb
    The carpenters want to talk to you about the new room. tcptswtttyabtnrm
BEN: Oh, good. ogd
    Philip, why don't you come with me? plwdycmwtm
PHILIP: So good to meet you, Mr. Hunter. sgtmtymrht
TONY: Thank you. tky
TONY: They don't get along, do they? tdgtldt
DIANA: And Mr. Tate started to work here only three weeks ago. amrttsttwkeoltrwksg
TONY: I hate to say it, Diana,ihtsidan
    but your uncle does have a difficult personality. byucdshvdfcpsnlt
DIANA: Oh, sometimes he blows up at people, osmtmshblsppp
  but he doesn't really mean it. bhdsrlmn(t)
  You know, Uncle Ben started this museum. ykucbsttsmsu
    Now he's sitting pretty, nhsstpt
  and he has the money to hire Mr. Tate. ahhstmnthmrt
    I think that's good news. ittsgns
TONY: I'm not so sure.imnss


4.11

Lesson 11 It was given to me over forty years ago. lselviwsgvtmovftysg

SCENE ONE: THE MUSEUM OFFICE

BEN: I tell you it isn't right. itlyitsrt
PHILIP: Now, Ben, nbn
  I don't see any problem with this. idsanprbmwtts
BEN: It was changed. iwscgd
PHILIP: Changed? How? cgdh
BEN: It was given to me over forty years ago. iwsgvtmovftysg
  I know it like the back of my hand. iktltbkfmhd
  It was signed with a different mark. iwsswtdfrm
PHILIP: Now, Ben, relax. nbnrlx
BEN: Something's wrong here, Philip, smtswhplp
  and I'm going to find out what it is! admgitfdtwtts
BEN: Hello?. . . Yes. . . hlys
  All right, ar
  I'll be right down. ilbrdn

SCENE TWO: DIANA'S LIVING ROOM

TONY: It doesn't sound odd to me. idssdo(d)tm
DIANA: My uncle was in a very strange mood. mucwsavrstgmd
    Oh, I know Uncle Ben is difficult to get along with. oikucbisdfctgtlwt
    But I have a bad feeling about that argument this afternoon. bthvbflabtagmtsftn
    I wonder what it was about. iwdwtwsbt
TONY: Diana, don't worry about it.dandwrabt(t)
    Look, it's late. lkislt
  I have to go. ihvtg
  Are we still going to get together Saturday? awstlgitgtgtstd
DIANA: Yes. ys
DIANA: Hello? hl
BEN: Diana, I have to talk to you. danihvtt(k)ty
DIANA: Uncle Ben? ucb
  What is it? wts
BEN: I have to show someone. ihvtssmo
  I know you'll understand. ikyludstd
DIANA: Show me what? smwt
  What's going on? wtgio
BEN: Just get over here right away.jsgtvhrtw
    I'm at the museum. imtmsu
DIANA: But Uncle Ben. . . b(t)ucb
BEN: I have proof! ihvprf
TONY: What was that all about? wwsttlbt
DIANA: It's Uncle Ben. isucbn
  He wants me to go over to the museum. hwsmtgovttmsu
TONY: Now? It's almost midnight. nismsmn
DIANA: He was really upset. hwsrlupst
  I have to go. ihvtg
TONY: I'm going with you. imgiwt

SCENE THREE: THE MUSEUM OFFICE

DIANA: Hello? Is anyone here? hlisnoh
TONY: Maybe he went home. mbhwhm
DIANA: And left the lights on? alftls
  You know he never wastes a penny. ykhnvwsspn
TONY: Maybe he went home, Diana.mbhwhmdan
    Maybe he left a note for you. . . mbhlftnfy
  Why don't we try to call him at home? wdwttchmhm
TONY: What is it? wtst
DIANA: Uncle Ben!. . . ucbn
  Is he dead? ishdd
TONY: I'll call an ambulance. ilclanblc
OPERATOR: Emergency. emgc
TONY: Yes. I want to report an accident. ysiwtrptnacdt
OPERATOR: What kind of accident, sir? wkdfacds
TONY: A man was injured. amwsijd
OPERATOR: Where are you? way
TONY: I'm at the Morris Museum at 1406 Bedford Street. imatmrsmsua1406bf(d)stt
DIANA: Oh, Tony, otn
  I think he's dead. ithsdd
TONY: It looks like he was hit on the head.il(k)slkwshothd


4.12

Lesson12 Was anything stolen from this room? lstvwsntstlftmtsrm

SCENE ONE: THE MUSEUM OFFICE

DETECTIVE STONE: So, you say the outside door was closed when you got here? s,ystosdwscls(d)wygh
TONY: That's right. ttr
DETECTIVE STONE: And this window was closed? atswdwsclsd
TONY: Yes. ys
DETECTIVE STONE: Then how did you get in? thdygt
  The museum was locked up hours ago. tmsuwsldphsg
DIANA: I was given an extra key when I started working here. iwsgvnanxtkwnstdwkh
DETECTIVE STONE: Who else was given a key? woswsgvnk
DIANA: Well. . . wl
  there's Lisa, the secretary. . . tslstsctr
  And Mr. Tate, of course. amrttfcs
DETECTIVE STONE: Yes, I called him. ysic(d)hm
  You can go now. ycgn
  I'll call you if I need any more information. ilcyfindnm(i)fmt
DIANA: Are you going to catch the person who did this, Detective?aygitcctpswdtsdtctv
    My uncle was a good man. mucwsgm
DETECTIVE STONE: Believe me, Miss Morris,blvmmsmrs
    I'm going to do everything I can. imgitdevtic
TONY: Come on, Diana. cmdan
DETECTIVE STONE: You are. . . ? ya
PHILIP: Philip Tate. plptt
DETECTIVE STONE: Thank you for coming at this late hour, Mr. Tate.tkyfcmatsltrmrtt
    I'm Detective Stone. mdttvstn
  I need your help. inyhp
PHILIP: Of course. But I don't know how I can help.ofcsbtdkhichp
    I don't understand how a terrible crime like this could happen. idudsthatrbcrml(k)tschp
DETECTIVE STONE: We think the museum was entered at midnight. wttmsuwsetdmn
  The killer came to this office, tklcmttsfc
  where he was surprised by Mr. Morris. whwsprsbmrmrs
  Mr. Morris was knocked down, mrmrswskdn
  and then he was hit on the head behind the desk here. athwshtthdbhtdskh
PHILIP: Is he. . . ? is
DETECTIVE STONE: The body was taken away an hour and a half ago. tbdwstknwanrnhfg
PHILIP: Oh. o
DETECTIVE STONE: Mr. Morris was seen with you this afternoon. mrmrswswtytsftn
  Is that right? istr
PHILIP: Yes. ys
  Say, you don't think I had anything to do with this terrible crime. sydtihdnttdwttstrbcrm
DETECTIVE STONE: I'm just asking questions, Mr.Tate. imjsaskqstsmrt
PHILIP: Yes, of course. ysfcs
DETECTIVE STONE: Was anything stolen from this room? wsntstlfrmtsrm
PHILIP: I have to look at the entire collection. ihvtlkteteclt
  That's the only way to be sure. tttolwtbs
DETECTIVE STONE: Well, you're the expert. wlyrtxpt
  Can you do that in the morning? cydtttmn
PHILIP: Of course, Detective. ofcsdt(c)tv
  Anything you need. antyn
TONY: Detective, dttv
  can I talk to you for a moment? cittfamm
DETECTIVE STONE: What is it? wts
TONY: We think Mr.Tate had something to do with this. wtmrt(t)hdsmttdwtts
DIANA: I told you about my uncle's phone call. itdyabmucspc
  He was so angry. hwsag
  And I think he was angry at Mr.Tate. aithwsgrmrtt
DETECTIVE STONE: Did your uncle use Mr.Tate's name? ddyucusmrttsnm
DIANA: Well, no. wln
DETECTIVE STONE: I need facts, Miss Morris.infsmsmrs
    I can only work with facts. icnlw(k)wtf(t)s
DIANA: Detective--dttv
DETECTIVE STONE: Let the police handle this, Miss Morris. ltplchdtsmsmrs
  We'll look at all the possibilities. wllkatpsblt
DIANA: I hope you do, Detective. . . ihpddttv
  I hope you do.ihpd
[ 此贴被qywnsjja在2008-10-31 21:01重新编辑 ]
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