5.5
LESSON 5 SOMETHING ALWAYS GOES WRONG. lsfvstawsgsw
SCENE ONE: STUDIO - DIANA'S LIYING ROOM SET
RITA: OK, honey. okhn
I never used so much makeup on anyone before. invussmcmkpnnobf
Can't anyone give you a hand with those kids? ctanogvyahwt(t)sks
You look so tired. ylkstrd
MARY BETH: I'm fine. imf
Thanks, Rita. tks,rt
There's nothing anyone can do. tsntanocd
I just need more sleep. ijsnmslp
RITA: Can your mother or husband get up in the middle of the night with the baby? cymtrohsbgtptmdoftnwttbb
MARY BETH: Sometimes it's the only time I'm alone with the baby. smtmsittoltmmmlwttbb
Oh, I don't want them to do it. oidwtmtdi
I like to look after her. iltlkfth
RITA: You're really something, Mary Beth. yrrlsmt,mrbt
I hope those kids appreciate you. ih(p)tskspcay
STEVEN: Rita, are we ready now? rt,awrdn
RITA: Can't you leave us alone for a minute? ct(y)lvslfamn
I'm just trying to make Mary Beth look good, Steven. imjstrtmmrbtlg,stv
STEVEN: Jeff, are you all set? jf,ayas
JEFF: I'm ready to go when you are, Steven.imrdtgwya,stv
Uh-oh. uo
STEVEN: What's wrong? wtw
JEFF: A prop is missing. aprpsms
The shot of Philip isn't in here. tstfplp(i)sih
STEVEN: Oh, no. o,n
Rita, where's the photo of Philip and Ben? rt,wstptofplpab
RITA: I put all the pictures there. ipttptst
STEVEN: Where is it? wis
RITA: Someone has it. smohst
I put all the pictures there this morning. ipatptsttsmn
STEVEN: I'm sure no one took it, Rita. imsnotk,rt
Why don't you look in the prop room? wdylktprp(r)m
RITA: Something always goes wrong. smtawsgsw
STEVEN: Nothing is easy. ntis(e)es
RITA: Here it is. hits
I moved it when I made up Mary Beth. imvdwimdpmrbt
I'm sorry. imsr
STEVEN: It's all right. itar
It wasn't anyone's fault. iwsanosf
Let's get on with it. ltgtwt(i)
OK, everyone?. . . ok,evo
And action. adact
TONY: Diana, I think it's best if we forget about this for a while. dan,itksbstifwfgtbtsfaw
Let the detectives do their work. ltdttvsdtwk
This is upsetting you too much. tssupstytmc
STEVEN: Ring. r
DIANA: Hello?. . . Yes, he's here. hl ys,hsh
It's for you. itfy
TONY: Yes? . . . ys
I see. is
Really? . . . rl
OK. ok
Thanks. tks
Bye. b
DIANA: Who was that? wost
TONY: No one important. noiptt
DIANA: Tony, it was someone. tn,iwsso
You spoke to someone. ysp(k)tso
Who was it? wwst
TONY: It was a friend from the paper. iwsf(d)frmtpp
DIANA: What did he want? wdd(h)wt
TONY: Nothing. nt
DIAN A: He didn't say anything? hddsant
Tony, tell me the truth. tn,tmttt
TONY: OK. I'm sorry. ok.imsr
He said he thinks he saw something in one of the pictures. hshtkshssmtioenftpts
It may be a clue. imbacl
DIANA: Which pictures? wcpts
The ones you took of Uncle Ben and Mr. Tate? tosytkfucbamrt
TONY: Yes. Do you have a magnifying glass? ys.dyhvmgnfigls
DIANA: Actually, I do. atl,id
TONY: We may not find anything. wmnfdnt
My friend wasn't sure what he saw. mfwsswhs
DIANA: But he saw something. bhssmt
TONY: Yes. Here are your uncle and Mr.Tate shaking hands. ys.hayucamrtskhs
And look! alk
DIANA: I don't see anything. idsant
TONY: There, on Mr.Tate. t,omrtt
Something is on his hand. stisohshd
DIANA: No. Nothing is on his hand. n.ntisohshd
TONY: It's something. itsmt
I'm telling you something is there. imtlysmtist
DIANA: I don't see anything. idsant
TONY: Look closer, Diana. lcls,dan
DIANA: Oh, my gosh! o,mgs
There is something there. tr(i)ssmtt
Tony, it's a mark. tn,it(a)mk
It's ink. itik
STEVEN: Cut. That's no good. c.ttng
We need a better script. wndbtscrpt
Will someone help me?wsmohm
I need to rewrite this script.ind(t)rwts(s)crp
5.6
LESSON 6 WAS THERE ANY MAIL FOR ME? lssxwstanmlfm
SCENE ONE: THE BENNETT FAMILY KITCHEN
MRS. BENNETT: How are you, dear? hayd
JEFF: Fine, thanks. f,tks
Was there any mail for me? wstanmlfm
MRS. BENNETT: There wasn't anything for you. twsantfy
There were two bills and a magazine for me. twtbs(a)d(a)mgzfm
But there was no mail for you. btwsnmlfy
JEFF: Nothing for me, huh? ntfm,h
MRS. BENNETT: No, nothing. n,nt
You don't live here anymore. ydlvhanm
Why would anyone send mail to you here? wwdanosmltyh
JEFF: I gave someone this address. igvsotsds
MRS. BENNETT: Who? w
JEFF: Just a friend who owes me money. jstfrdwosmmn
MRS. BENNETT: Well, there wasn't any mail for you today. w,twsanmlfytd
JEFF: OK. Sorry. ok.sr
I just need the money. ijsndmn
I have a lot of expenses on the new apartment. ihvltfexpssotnapmt
MRS. BENNETT: Were there any lights in your building last night? wtanlt(s)ybdlsnt
JEFF: No, there were no lights last night. n,twnltlsnt
But when I left this morning, bwilftsmn
there was electricity. twsltct
MRS. BENNETT: Was there any hot water? wstanhwt
JEFF: Yes, there was hot water. ys,twshwt
MRS. BENNETT: Was there any heat? wstanht
JEFF: Mom, this is August. m,tssagst
I don't need heat. idndht
MRS. BENNETT: Was there any telephone service? wstantlpsvc
JEFF: Mom, I have telephone service. m,ihvtlpsvc
MRS. BENNETT: Then why didn't you call me and give me your phone number? twddycmagvmypnb
JEFF: Mom, I'm a grown man now. m,imgrnmn
My first thought wasn't to call my mother.msftwstcmmt
I'm sorry. imsr
Anyway, I can give it to you now. anw,icgvtyn
The number is 555-2649. tnbis555-2649
MRS. BENNETT: Can you write it down for me? cywtdfm
JEFF: Sure. Do you have anything I can write with? se.dyhvanticwwt
MRS. BENNETT: Here's something. hssmt
JEFF: Do you have anything I can write on? dyhvanticwo
MRS. BENNETT: Here. h
MRS. BENNETT: Jeff, are you seeing anyone? jf,aysiano
JEFF: No one I want to talk about, Mom. noiwttkb,m
MRS. BENNETT: You really should settle down with someone. yrls(d)stdwtsmo
JEFF: That's what you always tell me. ttwyawstm
MRS. BENNETT: Well, it's true. w,itt
JEFF: Yep. OK. yp.ok
Gotta go. gtg
MRS. BENNETT: What? You just wanted to see if there was any mail for you? wt yjswttsiftwsnmlfy
JEFF: And to say hello. atshl
But now I have to say goodbye. bnihvtsgb
MRS. BENNETT: OK. Don't forget to call. ok.dfgtc
JEFF: Right. r
MRS. BENNETT: Jeff? jf
JEFF: Yep? y
MRS. BENNETT: I saw the show last night. istslsnt
JEFF: You did? yd
MRS. BENNETT: It was great. iwsgrt
I'm really proud of you. imrlprdfy
JEFF: Even if I'm not a lawyer or a doctor or a businessman. evnfimntlyordtorbsnsm
MRS. BENNETT: Maybe you could marry a lawyer or a doctor. . . mbycmralyoadt
Only kidding. olkd
We're happy to have you back in Stamford. wrhpthvybkstfd
JEFF: Thanks, Mom. tks,m
I'm beginning to feel better about being here. imbgntflbtabb(i)h
5.7
LESSON 7 YOU MUSTN'T TOUCH THE CAMERA. lssvymstc(t)cmrs
TEXT
SCENE ONE: STUDIO - THE MUSEUM OFFICE SET
JEFF: I'm sorry we have to work late tonight. imsrwhvtwltnt
Steven said it's necessary. stvsitncsr
We have to do it. whvtdi
Linda said we have to finish this show by Friday. ldsdwhvtfnst(s)sbfrd
Where's Mary Beth? wsmrbt
MARY BETH: OK, Jonathan. ok,jnt
This is where I work. . . tsswiwk
You must be a good boy, ymsbagby
and you must listen to Mommy. aymslstmm
You mustn't run around . . .ymsrard
you mustn't yell. . . ymsy
and you mustn't touch the cameras. aymstc(t)cmrs
RITA: Hello! Is this little Jonathan? hl istsltjntn
Hello, Jonathan. hljntn
I'm Rita. imrt
I'm your baby-sister tonight. imybbsttnt
MARY BETH: Say hello, Jonathan. . . shl,jntn
He's tired. hstrd???
When people talk to you, wpptty
you should say hello back, sweetie. ysshlbk,swt
RITA: That's OK. ttok
I'll be right back, ilbrbk
and Jonathan and I can play. ajntn(a)icpl
JEFF: Hey, big guy. h,bg
Give me five. . . gvmfv
So you brought him! sybrt(h)m
What a big boy! wtbby
MARY BETH: Well, Jonathan knows he must listen to Mommy and he mustn't touch anything. . .
w,jntnkshms(t)lstmmahmstcant
I'm worried he can't be good. imwr(d)hcbgd
JEFF: OK. Jonathan . . . ok.jntn
you're in a studio now. yriastdn
And there are a lot of rules you have to follow. ataalofrlsyhvtfl
There's no eating. . . tsnet
There's no drinking. . . tsndrk
There's no running. . . tsnrn
There's no touching. . . tsntc
OK, Jonathan?. . . ok,jntn
And there's absolutely no smoking, Jonathan. a(d)tsabsllnsmk,jntn
RITA: Very funny. vrfn
Come on, Jonathan. cm,jntn
You can come over here and watch Mommy, OK?. . .yccmvhawcmm,ok
But you mustn't make any noise. b(y)msm(k)annis
MARY BETH: OK. We're going to rehearse. ok.wrgitrhs
SCENE TWO: THE STUDIO
RITA: Jonathan, when Mommy is working, jntn,wmmiswk
you mustn't talk. umstk
RITA: Jonathan, no running. . .jntn,nrn
You have to stop. yhvtstp
RITA: Oh, no, honey. o,n,hn
You mustn't play with those photos, OK? umsplwttspts,ok
RITA: That's a camera, sweetie. . . tt(a)cmr,swt
You have to be careful. yhvtbcrf
You mustn't touch the camera. ymstctcmr
RITA: Jonathan, honey, jntn,hn
be a good boy. bagby
RITA: No eating, Jonathan! net,jntn
RITA: Oh, well. o,w
RITA: Oh, no. o,n
It's time to change your diaper. ittmtcg(y)dp
MARY BETH: Oh, Rita. You don't have to do that.ortydhvtdtt
5.8
LESSON 8 YOU'D BETTER GET SOME SLEEP. lsetybtgsmsl
TEXT
SCENE ONE: A BASETBALL COURT
MIKE: Come on, Charles. cm,crs
CHARLES : Hey, wait a minute. h,wtmn
Slow down. sld
This isn't the big time. tsstbtm
MIKE: Hey, maybe you should take a break. h,mbystkbr
CHARLES : No, I'm OK. n,im(o)k
MIKE: Are you sure you're OK? aysyr(o)k
Hey, you'd better sit down. h,ybtsd
CHARLES : Yeah. I'm a little dizzy.y.imltdz
I have to stop for a minute. ihvtstfamn
MIKE: You know, Charles, yk,crs
you should start taking better care of yourself. yssttkbtcrfysf
CHARLES : Yeah, yeah. y,y
MIKE: No. Look. n,lk
I'm your friend and I can tell you. imyfrdaicty
You'd better get in shape, ybtgis(p)
or you're going to have a heart attack. oyrgithvhttk
CHARLES : Yeah, maybe you're right.y,mbyrrt
Maybe I should get in shape.mbisgtsp
So how does the show look to you? shdstslty
MIKE: It looks good to me. il(k)sgtm
What do you think? wdytk
CHARLES : I think Steven had better finish the show soon. itstvhbtfnstss
MIKE: Linda told him he'd better not be late. ldtD(h)mhbtnblt
He has to finish this week. hhstfnstswk
CHARLES : So what are you going to do after Friday? swtygitdaftfrd
MIKE: I'm going to photograph a news show. imgitptgrpn(s)s
CHARLES : What about Jeff? wtbjf
Is he going to be happy in Stamford? ishgitbhpistf
MIKE: I don't know and I don't think Jeff knows. idkaidtjfks
I guess he'd better decide soon. igshbtdcs
Maybe we'd better not play anymore, Charles.mbwbtnplanmcrs
I'm worried about you. imwrdby
CHARLES : OK. I'll see you later, Mike.ok.ilsylt,mk
I'd better lose some weight. . . fast. ibtlssmw
SCENE TWO: THE MAKEUP ROOM
MARY BETH: Oh, Rita, I'm so tired. o,rt,imstrd
RITA: I keep telling you, Mary Beth. iktly,mrbt
This is serious. tsssrs
You'd better get more sleep. ybtgmslp
MARY BETH: Last night was awful. lsnwsaf
RITA: You'd better hire a baby-sitter, ybthrabbst
or you're going to be too tired to rehearse. oyrgitbttetrhs
MARY BETH: I want to be with my kids. iwtbwtmks
RITA: Then maybe you should stay home. tmbyssthm
MARY BETH: I don't know what to do.idkwtd
I have to work.ihvtwk
We need the money. wnd(t)mn
RITA: Well, dear, w,d
last night was a disaster. lsnwsdsst
MARY BETH: You're right. yrr
I'd better not do that again. ibtndttg
RITA: I hate to say it, but it's true. ihtsi,btst
The next time you have to work late, tnxtmyhvtwkl
I think you'd better leave Jonathan at home. itkybtlvjntnn(a)hm
MARY BETH: What time is it? wtms
RITA: You have an hour before you're on. yhv(a)nrbfyro
MARY BETH: I'm going to close my eyes for a few minutes. imgitcsmesfafmns
RITA: Good idea. gd(i)da
MARY BETH: Thanks, Rita. tks,rt
And thanks for watching Jonathan last night. atksfwcjntnlsnt
RITA: It was nothing. iwsnt
MARY BETH: I'm sorry he messed up all your makeup. imsrhmsd(p)aymkp
RITA: Oh, yeah, I'd better clean that up.o,y,ibtclntp
I have to buy some new makeup, anyway.ihvtsmnmkp,anw
You'd better get some sleep.ybtgsmslp
You'll never be able to rehearse.ylnvbabtrhs
5.9
LESSON 9 YOU'D BETTER NOT ASK TOO MANY QUESTIONS. . . lsnybtntsktmnqsts
TEXT
SCENE ONE: IN THE CAR
JEFF: You look great. ylgrt
AMY: Well, thank you. w,tk(y)
I feel pretty great. iflprtgr
JEFF: So where are we going? swawgi
AMY: You'd better not ask too many questions, ybtntsktmnqsts
or you'll ruin my surprise. oylrimsprs
JEFF: I don't want to ruin your surprise, idwtriysprs
but you'd better tell me how far we're going.bybttlhfwrgi
I don't want to run out of gas. idwtrotfgs
AMY: Oh. It's not far at all. o.itnfaa
JEFF: What's in the basket? wt(s)tbsk
AMY: No, no. n.n
Bad boy. bby
JEFF: So where to? swt
AMY: Take a left here, tklfth
and then go left at the stop sign. atglfttsts
AMY: Jeff, you have to stop. jf,yhvtstp
JEFF: Amy, calm down. am,cmd
I'm a very good driver. im(a)vrgdrv
AMY: Get in the right lane. gttrl
You have to turn right. yhvttr
JEFF: I know where we're going. ikwwrgi
AMY: You do? yd
JEFF: To the park. ttpk
There's a concert in the park tonight. tsccttptnt
AMY: Oh. You ruined my surprise. o.yrimsprs
JEFF: Don't be upset. dbupst
I love concerts. ilvccs
AMY: You do? yd
JEFF: Yeah. y
This is going to be great. tssgitbgrt
AMY: Jeff, the sign says no stopping. jf,tsssnstp
You'd better go on. ybtgo
JEFF: Calm down.cmd
It's OK. itok
A concert in the park. accitpk
That's terrific . tttrfc
SCENE TWO: THE PARK
JEFF: This is very nice, Amy. . . tssvrnc,am
When I was in California, wnwsclfna
I never had picnics. invhpncs
AMY: What made you come back? wm(y)cmbk
JEKE: I need the job.indtjb
and Mr. , admr
simple things.spts
like picnics in the park.lpncstpk
so，what's for diner？s,wtfdn
AMY: Fried chicken, frck
coleslaw, csl
carrots, crs
celery,clr
rolls, rs
wine. w
JEFF: Ah-hah! ah
What's this? wtts
AMY: You mustn't eat that now. ymsnetn
It's for dessert. itfdst
JEFF: Mmm. m
I love cake. ilvck
AMY: Jeff! jf
JEFF: OK. You'd better put it away somewhere, ok.ybtpttwsmw
or I'll eat it. o(r)et
AMY: You'd better just keep your hands off it. ybtjskp(y)hsoft
JEFF: Ooooh, she gets tough. o,sgstg
AMY: I have to be tough with you. ihvtbt(g)wty
You're a tough kind of guy. yr(a)tfkd(f)g
JEFF: Actually, atl
I'm very sweet. imvrsw
Like this cake. ltsck
AMY: I wonder. iwd
JEFF: What? w
AMY: I'd better not say. ibtns
I don't want to get into trouble. idwtgtttb
JEFF: Come on. cm
AMY: So. . . you think you're going to stay in Stamford. . . s ytk(y)rgitstistf
and be happy here? abhph
JEFF: Everyone keeps asking me that. . . evokps(a)skmt
Do you want me to stay? dywmtst
AMY: Yes, I do, Jeff. . . ys,id,jf
It's funny, itfn
but I feel like. . . . btfll(k)
we're old friends. wrofrs
JEFF: I know what you mean.ikwym
5.10
LESSON 10 LET'S THINK BACK TO THE NIGHT OF THE MURDER. lst lttbkttntftmd
SCENE ONE: DIANA'S LIYING ROOM
DIANA: But Detective Stone, bdttvst
why don't you do something about my uncle's murder? wdydsmtabmucsmd
DETECTIVE STONE: It takes a little time, Miss Morris. itkslttm,msmrs
I have other cases I'm working on too. ihvotcssmwkot
TONY: We don't have much time, wdhvmctm
Detective Stone. dttvst
DETECTIVE STONE: Believe me, blvm
I'm doing everything I can. imdievtic
DIANA: Thank you, Detective. tk(y),dttv
DETECTIVE STONE:Why don't Miss Morris，Mr. Hunter. wdmsmrs,mrht
DIANA: Goodbye. gb
TONY: You look upset.ylkpst
Why don't we sit down? wdwsd
DIANA: Let's not sit down. ltnsd
Let's do something. ltdsmt
TONY: Why don't we go over the facts? wdwgovtfs
Maybe we can help solve the murder. mbwchsvtmd
DIANA: All right. ar
TONY: Let's think back to the night of the murder. lttbkttntftmd
Remember? rmb
Your uncle called. . . yucc(d)
SCENE TWO: THE MUSEUM OFFICE
DIANA: Hello? hl
BEN: Diana, I-I have to talk to you. dna,iihvttty
DIANA: Uncle Ben? ucb
What is it? wts(t)
BEN: I have to show someone. ihvtssmo
I know you'll understand. ikyludstd
DIANA: Show me what?smwt
What's going on? wtgio
BEN: Just get over here right away. js(t)govhrtw
I'm at the museum. imtmsu
DIANA: But Uncle Ben. . . b(t)ucb
BEN: I have proof! ihvprf
SCENE THREE: DIANA'S LIVING ROOM
TONY: He had proof. hhprf
That's why he was killed. ttwhwskd
Let's see. lts
What did he mean?wdhm
Or who did he mean? owd(d)hm
DIANA: I think he meant Mr.Tate. itk(h)mmrtt
TONY: Mr.Tate? mrtt
Tell me what you know about Mr.Tate. tmwykabmrtt
DIANA: I heard an argument that afternoon. ihd(a)n(a)gmttftn
It was in Uncle Ben's office. . . iwsucbsfc
SCENE FOUR: THE MUSEUM OFFICE
BEN: It was changed. iwscgd
PHILIP: Changed? How? cgdh
BEN: It was given to me over forty years ago. iwsgvtmovftysg
I know it like the back of my hand. ik(i)ltbkfmhd
It was signed with a different mark. iwsswtdfrmk
SCENE FIVE: DIANA'S LIVING ROOM
TONY: He found a different mark? hfddfrmk
DIANA: Maybe it's a mark on one of the documents. mbit(a)mkoonftdcms
TONY: Why do you think that? wdyt(k)tt
DIANA: After the murder, afttmd
I saw Mr.Tate do something very strange. ismrtt(d)smtvrstg
DIANA: I think there's a clue in that document drawer. it(k)tsclitdcmdre
TONY: Let's take a look tomorrow. lttkltmr
DIANA: No, let's not take a look tomorrow. n,ltntkltmr
Let's take a look right now. lttklrn
DIANA: Are you coming? aycm
TONY: Let's go.ltg
5.11
LESSON 11 WHO COULD IT BE? lselv wcdb
SCENE ONE: THE MUSEUM OFFICE
TONY: These couldn't be the clue, could they? tscdbtcl,cd(t)
What are these, anyway? wt(a)ts,anw
DIANA: They're the oldest documents in Stamford. trtodsdcmt(s)stfd
TONY: I remember this. irmbts
It's the Stamford Treaty.ittstftt
Ben showed it to me. . . bsdtm
SCENE TWO: THE MUSEUM OFFICE
BEN: This is the Stamford Treaty, tsststftt
the most important item in the Morris Museum. tmstptitmtmrsmsu
TONY: How old is it? hodst
BEN: Look here.lk(h)
It's dated 1640, itdd1640
and it's signed by two great Indians. aitsbtgridas
All the big museums would like to own this, atbmsuswltots
but it's going to stay right here at the Morris Museum in Stamford. . . bitgitstrhatmrsmsuistf
It's worth a fortune. itwt(a)ft
SCENE THREE: THE MUSEUM
TONY: It's worth a fortune. itwtaft
Are all these old documents worth money? aatsodcmswtmn
DIANA: Yes. ys
TONY: Could this treaty be worth more than the others?cd(t)sttbwtmttots
A lot more? alm
DIANA: Oh, yes. o,ys
TONY: I could be wrong, icbwr
but I think there's a connection between the Stamford Treaty and the killer. bt(i)ttscntbttstfttatkl
This could be a clue. tscbacl
DIANA: But what? bw
TONY: I'm not sure yet. imnsryt
We could wait for the police. . . wcwftplc
or we could work on it ourselves. owcwkntrsvs
DIANA: Let's work on it ourselves. ltwkntrsvs
TONY: OK. I have an idea. ok.ihv(a)n(i)da
TONY: I want to go home and develop these pictures . iwtghmadvltspts
I'll see you in the morning. ilsyitmn
We're going to catch this killer! wrgitcctskl
DIANA: Tony?tn
Is that you?. . . isty
Tony?. . . tn
Who could it be? wcdb
DIANA: Who are you?. . . wo(a)y
What do you want? wdywt
PHILIP: Diana! What is it? danwts(t)
DIANA: There was a stranger in the hallway. twsstgithw
Then the lights went out. ttltwnt
What's happening? wthpn
PHILIP: Diana, that was me. dab,twsm
I turned off the light switch by accident. itdftltwcbaccdt
DIANA: But there was a strange man in the hallway. btwsstgmnthw
PHILIP: I can explain that. icexplitt
Victor! vt
PHILIP: Diana, I want you to meet Victor Chapman. dan,iwt(y)tmtvtcm
Victor is an old friend of mine. vtis(a)ofrdfm
DIANA: I see. is
PHILIP: What are you doing here? wt(a)dih
DIANA: What are you doing here?wt(a)ydih
5.12
LESSON 12 NOW LET'S LOOK AT THE PICTURE I TOOK LAST NIGHT. lstv nltlktpt(i)tlsnt
SCENE ONE: THE MUSEUM OFFICE
DIANA: Mr.Tate. mrtt
PHILIP: Diana, I'm sorry to surprise you. dan,imsrtsprsy
Could we talk to you for a minute? cwttyfamnt
DIANA: Well, OK. w,ok
PHILIP: Victor is an art dealer from New York. vtis(a)adlfrmny
He's looking for things to sell in his shop. hslkftstsih(s)sp
DIANA: I could give you the names of art dealers in Stamford. icgvytnmsfadlsstf
VICTOR: No. I came to see you. n.icmts
PHILIP: Let's get right to the point.ltgrttpit
Victor wants to buy Indian objects. vtwttbidanbjcs
Could you sell some of the items from the museum? cyssmftitmsfrmtmsu
DIANA: No. I couldn't sell you any Indian objects. n.icdsyanidanbjcs
My uncle never gave any to me. mucnvgvntm
He gave everything to the museum. hgvevtttmsu
VICTOR: Think hard. thd
I can pay you well. icpyw
DIANA: No. I couldn't sell you anything if I wanted to. n.icdsyantifiwtt
And I don't want to. andwt
PHILIP: Well. Let's be on our way, then. w.ltbonrw,tn
Good night, Diana. gn,dan
DIANA: Good night. gn
SCENE TWO: DIANA'S LIYING ROOM
TONY: Anybody here? anbdh
DIANA: Oh, Tony. otn
Come in. cm
TONY: I know the secret of the treaty. iktscrtfttt
DIANA: Really? rl
Why don't we close the door? wdwcstd
TONY: Let's take a look at these. lttklats
TONY: This one shows Ben with the Stamford Treaty. tsossbwttstftt
Now look at this. nlkts
It's a blowup of the treaty. itblupofttt
DIANA: But Tony, it's only a photo. btn,itol(a)pt
What can it tell us? wcntls
TONY: Now let's look at the picture I took last night. nltlktptitlsnt
DIANA: What do you see? wt(d)ys
TONY: Look at the treaty in the photo with Ben. lktttitptwtb
Look at the mark. . . lktmk
Now look at the mark on the treaty in the drawer. nlkatmkotttitde
DIANA: This mark is different from that one. tsmksdfrfrmto
How could they be different? hctbdfr
TONY: This could be a fake. tscbafk
DIANA: A fake? afk
TONY: Maybe Mr.Tate stole the real treaty. mbnrtsttrltt
He put this fake in the drawer. hptsfktde
DIANA: But my uncle discovered it right away. bmucdscvdrtw
That's why he called me that night. . . ttwhc(d)mtnt
Then who killed my uncle? twkmuc
TONY: It could be Mr.Tate. icbmrtt
DIANA: No, Tony.n,tn
It couldn't be Mr. Tate. icdbmrt
TONY: Why? w
DIANA: The police talked to Mr.Tate. tplcttmrtt
He was at home that night. hwshmtn
He couldn't be the killer. hcdbtkl
TONY: Then who could it be? twcdb
DIANA: It could be Victor Chapman.icbvtcm
He's an art dealer and a friend of Mr.Tate's. . . hsadladfrdfmrtt
But where's the proof? bwstprf
And is he going to kill again?adshgitklg
[ 此贴被qywnsjja在2008-11-03 22:02重新编辑 ]
